Analysis of the Phenomena of the Human MindMill, James
PhilosophyPhilosophy
Analysis of the Phenomena of the Human Mind
Mill, James
Psychology
There remains the consideration of Contrast, as a link of
association. It is easy to show that both Contiguity and Similarity
may enter into the association of contrasts. All contrasts that we
are interested in are habitually coupled in language, as light and
dark, heat and cold, up and down, life and death. Again contrasts
suppose a common genus, that is a generic similarity; at least until
we ascend to the highest contrast of all, the subject mind, and the
object or extended world. Cold and Hot are grades of the common
attribute called Temperature. As these links of contiguity and
similarity are present, and of considerable strength, they
practically lead to the mutual suggestion of contrasting things.
Still, we cannot overlook the deeper circumstance that in contrast
there is _relation_, and therefore mutual implication, so that the
two members must always be virtually present, although they are not
equally attended to. Heat has no meaning, no existence, but as a
change from cold; the north implicates the south. We have two modes
of regarding these relationships, which are distinguished by
language, as if we {125} could abstract the one side from the other;
that is, we think of heat apart from cold, and of the north apart
from the south. But if one side is present, both must be present,
and nothing is wanted but a motive, to make us reverse the
conception, and bring into prominence the side that was in abeyance,
cold instead of heat, south instead of north.
This view of Contrast is variously expressed by Hamilton. (Reid,
Note D * * *).
Contrast, therefore, as an associating link, would draw from three
sources, Relativity, Contiguity, and Similarity. It would also be
heightened, in many instances, by the presence of strong feelings or
emotions, as in the contemplation of startling changes, and the
vicissitudes of things. Being one of the effects habitually
introduced in Art and in Oratory, we are more than ordinarily
impressed by the things so made use of--infancy beside old age,
squalor following on splendour, abasement succeeding to elevation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account