The knight is armed in hauberk, chausses and hood of chain-mail; with a chausson, of which the knee-pieces seem to be of iron plate. Ailettes are at the shoulders, and for pillow the warrior has his helm; from the lower edge of which a chain passes to the belt of the surcoat, in order to prevent its being lost in battle. The triangular, bowed shield is sustained by the usual guige; and here, as well as on the ailettes and the escutcheons of the sword-sheath, are seen the _Trumpets_ forming, in allusion to his name, the heraldic bearings of our knight. 285 74. Incised slab to the memory of the knight, Johan le Botiler, in the church of St. Bride's, Glamorganshire. Date, about 1300. As in the preceding example, the heraldic figures (borne in this instance on the shield and cervellière) are allusive to the name of the bearer, Butler. The sword, with its trefoil pommel and narrow, curved cross-piece, has quite the character of the Anglo-Saxon weapon of the eleventh century. In the rowel spur, however, we recognise the spirit of progress; and the cervellière of plate, worn, as here, in conjunction with the coif of chain-mail, is an early example of that arrangement in a monumental effigy. 287 75. Figure of Goliath, from Add. MS. 11,639, fol. 520: a Hebrew copy of the Pentateuch and Forms of Prayer, written in Germany about the close of the thirteenth century. The giant has hauberk and chausses of chain-mail, with knee-pieces of plate, and the broad-rimmed chapel-de-fer. The shield retains the boss and strengthening bands which we have seen in examples from the Anglo-Saxon and Frankish graves. The round mark at the temple is the stone hurled from the sling of David. 290 76. Part of a figure from the wall-pictures of the Painted Chamber at Westminster: to shew the form of the pointed, nasal helmet. Date, the second half of the thirteenth century. 291 77. Glass-painting in the window of the north transept of Oxford Cathedral. The tracery formerly belonging to it no longer appears, and it is now mixed up with glass of a later period. It is scarcely necessary to say that the martyr's head is a "restoration." The knights are armed in suits of banded-mail, with knee-pieces of plate. The uplifted sword is of the falchion kind. Fitz-Urse has on his shield three Bears' heads on a diapered field, in lieu of the usual figure of a single Bear. Compare woodcut, No. 53. The date of this glass appears to be about the close of the thirteenth century. 296