Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188 — John Shaqi
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
_Bells._--Bells seem to have been in pretty general use by the more
cultured American races previous to the conquest. The form best known is
the hawk bell, or common sleighbell of the North. The globular body is
suspended by a loop at the top and is slit on the under side, so that
the tinkling of the small free pellets of metal may be audible. Such
bells are found in considerable numbers in the graves of Chiriqui,
although I have no positive assurance that any of the examples in my
possession were actually taken from graves which contained typical
Chiriquian relics of other classes. The specimens now in the National
Museum (Fig. 41) are in most cases, if not in all, of bronze, as
determined by Mr. R. B. Riggs, of the chemical laboratory of the United
States Geological Survey. All have been cast in molds. In most cases
there are traces of a plating of gold. The largest is 1¼ inches in
height and three-fourths of an inch in diameter. It is surmounted by the
rude figure of an animal, through or beneath the body of which is an
opening for the attachment of a cord. Others have simple loops at the
top. The small perforated specimen belongs to Mr. Stearns. The
additional piece given in Fig. 42 is unique in conception. It represents
a human head, which takes an inverted position when the bell is
suspended. The lower part of the bell forms a conical crown to the head
and the ring of suspension is attached to the chin. Double coils of wire
take the place of the ears, and the other features are formed by setting
on bits of the material used in modeling. This specimen belongs to the
collection of Mr. Stearns. Many examples of more elaborate workmanship
have been recovered from the tombs and are now to be found in the
collections of America and Europe.
[Illustration: Fig. 41. Bronze bells plated or washed with gold.]
[Illustration: Fig. 42. Bronze bell with human features.]
A specimen found many years ago on the Rio Grande, near Panama, and
figured in Harper’s Weekly, was of gold and showed specific variations
from the Chiriquian pieces. It will be seen by reference to the outline
given in Fig. 43 that three very neatly shaped and gracefully ornamented
bells are mounted upon a circular plate to which a short handle is
attached. It was evidently not intended for suspension, but rather to be
held in the hand as a rattle.
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