Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188 — John Shaqi
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188Holmes, William Henry
History
Ancient art of the province of Chiriqui, Colombia: Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Holmes, William Henry
Chiriquí (Panama : Province) -- Antiquities; Indian pottery -- Panama; Indians of Central America -- Panama
A question as to the authenticity of these bells as aboriginal works
very naturally arises, and it may be difficult to show to the
satisfaction of the skeptical mind that any particular specimen is not
of European origin or inspiration. At the same time we are not without
strong evidences that such bells were in use by the Americans before the
advent of the whites. Historical accounts are not wanting, but I shall
only stop to point out some of the internal evidences of the native art.
The strongest argument is to be found in the presence of analogous
features in other branches of the art and in other arts. The eyes of the
golden figures of reptiles are in many cases minute hawk bells, and in
works of clay, the purely aboriginal character of which has not been
called in question, similar features are discovered. The American origin
of the bell, therefore, is not to be questioned. The form originated, no
doubt, in the rattle, at first a nutshell or a gourd; later it was
modeled in clay, and in time the same idea was worked out in the legs
and the ornaments of vessels and in the heads and other parts of animal
forms, which were made hollow and supplied with tinkling pellets. With
the acknowledged skill of these people in the working of metals, there
is no reason why the bells described should not have been manufactured
independently of European aid and influence, provided the requisite
metal was at hand.
[Illustration: Fig. 43. Triple bell or rattle found on the Rio
Grande.]
[Illustration: Fig. 44. Ancient Mexican bell.]
It should be observed that if these early American bells were copied
from or based upon Spanish originals they would not probably vary
greatly in type with the various sections from which they are recovered,
but it is observed that marked and persistent differences do occur. The
well known Mexican bell, an example of which is outlined in Fig. 44,
although of bronze, is generically distinct in form and construction.
In a brief review I may recall the more salient points regarding the use
of metals in ancient Chiriqui. Gold, silver, copper, and apparently tin
are represented.
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