Ancient Egyptian, Assyrian, and Persian costumes and decorationsHouston, Mary G. (Mary Galway)
History
Ancient Egyptian, Assyrian, and Persian costumes and decorations
Houston, Mary G. (Mary Galway)
Clothing and dress -- Assyria; Clothing and dress -- Egypt; Clothing and dress -- Iran
Plate IV. belongs to the next great division of Egyptian costume, which
may be called the “Type of the Robe.” This illustration shows it in its
simplest form--namely, ungirded. To understand the quaint Egyptian
drawing of Plate IV. a reference to Fig. 5 is necessary, which is a
modern drawing of the same costume. As will be seen from the plan, Fig.
5A, this garment consists of a piece of material twice the height of the
figure and folded over in the middle; a hole is here cut for the neck
and, in addition, a short slit down the front to allow of the garment
being pulled over the head. The material is sewn up the sides from the
bottom, leaving a space at the top for the passage of the arms. A
garment similar in type to this is worn at the present day in Egypt and
Syria, and also, strange to say, by the natives of Brazil.
This robe should be compared with that worn by Darius, King of Persia,
later in this volume.
[Illustration: Fig. 5]
Musicians are often represented wearing this robe, sometimes rounded off
at each side of the hem so that it does not trail as it does on Fig. 5.
[Illustration: Fig. 5A]
[Illustration: PLATE IV
_M.G.H. del._ _F.S.H. pinx._
THE GOD OSIRIS]
PLATE V.
Plate V., dating 1450 B.C., shows the same robe as Plate IV. worn in a
different manner. In this case the garment is left open down the sides,
the front half is taken and pinned at the back of the waist, and the
back half is drawn towards the front and girded with a wide sash
measuring 32” × 120”, as shown in Plate V. and Figs. 6, 7, 8, and 9. It
should be noted that Fig. 6 is a modern drawing of Plate V.; also the
costume upon p. 19, which dates 2500 B.C., gives three different views
of the same dress, a costume which emphasizes the love of the Egyptians
for drawing up the dress tightly so as to define the limbs at the back
and allowing great masses of drapery to fall in front to the feet. To
adjust the sash or girdle on Plate V., commence at the right side of
waist drawing the sash downwards to the left and round the hips at back,
next draw upwards across the front from right to left and round waist at
back and tuck the remaining length of sash in front as shown in Fig. 6.
[Illustration: PLATE V
_M.G.H. del._ _F.S.H. pinx._
ANI, A SCRIBE]
[Illustration: Fig. 6]
[Illustration: Fig. 7]
[Illustration: Fig. 8]
[Illustration: Fig. 9]
Plate VI. is an illustration of a robe worn by a woman 1450 B.C., and
Fig. 10 is a modern representation of the same robe. It will be noted in
this case that the front half is not pinned behind the back, but is kept
quite full in front, and that the back half, instead of being girded by
a sash, is drawn round and tied in a knot just under the breast.
[Illustration: Fig. 10]
This robe on women is also sometimes tied with a narrow girdle under the
breast instead of the edges being knotted.
[Illustration: PLATE VI
_M.G.H. del._ _F.S.H. pinx._
THUTHU, WIFE OF ANI]
PLATE VII.
Public-domain text, read in full here on John Shaqi.
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