Ancient Egyptian, Assyrian, and Persian costumes and decorationsHouston, Mary G. (Mary Galway)
History
Ancient Egyptian, Assyrian, and Persian costumes and decorations
Houston, Mary G. (Mary Galway)
Clothing and dress -- Assyria; Clothing and dress -- Egypt; Clothing and dress -- Iran
The decoration on this plate shows the detail of the characteristic
Egyptian winged globe (a), hawk (b), and beetle (scarabæus) (c). Plates
I. and VIII. are examples of the application of winged decoration upon
Egyptian costume.
Three other geometrical borders (d, e, and f) and two all-over patterns
(g and h) are given; g shows an example of the well-known feather or
scale pattern; h (which is similar to e, Plate III.) is a favourite
geometric motif, and was often printed or painted on garments. A very
charming effect also of this pattern was a tunic entirely composed of
beads, or beads and reeds, and worn over the garment shown on Fig. 2, p.
11. Several beaded networks of this type may be seen on the mummies in
the British Museum.
[Illustration: PLATE VII
_F.S.H. fec._
DETAILS OF DECORATION]
PLATE VIII.
The third outstanding type of Egyptian costume may be described as the
“Type of the Petticoat and Cape” (the petticoat was sometimes worn
without the cape). Now this petticoat or skirt, as shown in Plate VIII.
and Fig. 11, consists of a straight cut piece of material threaded
through at the waist with a narrow strip which is knotted round the
figure to keep the garment in position; the cape-like shoulder drapery
is an oblong piece of stuff, to drape which take the corners d and e of
Fig. 11A in your hands and twist them till the triangles a, b, c, and d,
e, f, have become cords, and then knot as shown in the diagram. In the
skirt piece, Fig. 11B, sew together the two short sides. As will be seen
in the illustration, a long knotted girdle about 100 inches in length is
worn over the skirt. It passes twice round the waist, and is knotted at
the back as well as the front. In Plate VIII. the deep ornamental collar
is worn over the cape. The collar, which was fastened down the back, is
shown in plan (Fig. 11C).
Fig. 12 shows another method of wearing a similarly cut but rather
longer skirt; in this case there is no waist cord; two pieces of the
upper edge about half a yard apart are taken in the hands and twisted,
one is crossed over the other and tucked inside, the other is pulled up
and
[Illustration: PLATE VIII
_M.G.H. del._ _F.S.H. pinx._
A QUEEN]
forms an ear, as shown in sketch. This particular draping is the
inspiration of the decoration on Plate II. Similar drapings without the
twisting were worn both by men and women. It is interesting to note that
a practically similar garment is worn in Burma at the present day by
both men and women.
[Illustration: Fig. 11A]
[Illustration: Fig. 11B]
[Illustration: Fig. 11C]
[Illustration: Fig. 11]
[Illustration: Fig. 12]
Compare Fig. 12 with Plate II. where the drapery here given has
suggested in its lines a decoration of stripes.
PLATE IX.
Public-domain text, read in full here on John Shaqi.
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