“Chrysis, thy hair is like a swarm of bees hanging on a tree. The hot
wind of the south penetrates it with the dew of love-battles and the
wet perfume of night-flowers.”
The young woman alternated, in a softer, lower voice:
“My hair is like an endless river in the plain when the flame-lit
evening fades.”
And they sang, one after the other:
“Thine eyes are like blue water-lilies without stalks, motionless upon
the pools.”
“Mine eyes rest in the shadow of my lashes like deep lakes under dark
branches.”
“Thy lips are two delicate flowers stained with the blood of a roe.”
“My lips are the edges of a burning wound.”
“Thy tongue is the bloody dagger that has made the wound of thy mouth.”
“My tongue is inlaid with precious stones. It is red with the sheen of
my lips.”
“Thine arms are tapering as two ivory tusks, and thy armpits are two
mouths.”
“Mine arms are tapering as two lily-stalks and my fingers hang
therefrom like five petals.”
“Thy thighs are two white elephants’ trunks. They bear thy feet like
two red flowers.”
“My feet are two nenuphar-leaves upon the water: My thighs are two
bursting nenuphar buds.”
“Thy breasts are two silver bucklers with cusps steeped in blood.”
“My breasts are the moon and the reflection of the moon and the water.”
ill-004
_Huddled against the wall, Djala bethought herself of the love-songs of
India._
“Thy navel is a deep pit in a desert of red sand, and thy belly a young
kid lying on its mother’s breast.”
“My navel is a round pearl on an inverted cup, and the curve of my
belly is the clear crescent of Phœbe in the forests.”
There was a silence. The slave raised her hands and bowed to the
ground.
The courtesan proceeded:
“It is like a purple flower, full of perfumes and honey.”
“It is like a sea-serpent, soft and living, open at night.”
“It is the humid grotto, the ever-warm lodging, the Refuge where man
reposes from his march to death.”
The prostrate one murmured very low: “It is appalling. It is the face
of Medusa.”
Chrysis planted her foot upon the slave’s neck and said with trembling:
“Djala.”
The night had come on little by little, but the moon was so luminous
that the room was filled with blue light.
Chrysis looked at the motionless reflections of her naked body where
the shadows fell very black.
She rose brusquely:
“Djala, what are we thinking of? It is night, and I have not yet gone
out. There will be nothing left upon the heptastadion but sleeping
sailors. Tell me, Djala, I am beautiful?
“Tell me, Djala, I am more beautiful than ever to-night? I am the most
beautiful of the Alexandrian women, and you know it? Will not he who
shall presently pass within the sidelong glance of my eyes follow me
like a dog? Shall I not perform my pleasure upon him, and make a slave
of him according to my whim, and can I not expect the most abject
obedience from the first man whom I shall meet? Dress me, Djala.”
Public-domain text, read in full here on John Shaqi.
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