Djala twined two silver serpents about her arms. On her feet she fixed
sandals and attached them to her brown legs with crossed leather
straps. Over her warm belly Chrysis herself buckled a maiden’s girdle,
which sloped down from the upper part of the loins along the hollow
line of the groins; in her ears she hung great circular rings, on her
neck three golden phallus-bracelets enchased at Paphos by the
hierodules. She contemplated herself for some time, standing naked in
her jewels; then, drawing from the coffer in which she had folded it, a
vast transparent stuff of yellow linen, she twisted it about her and
draped herself in it to the ground. Diagonal folds intersected the
little that one saw of her body through the light tissue; one of her
elbows stood out under the light tunic, and the other arm, which she
had left bare, carried the long train high out of reach of the dust.
She took her feather fan in her hand, and carelessly sauntered forth.
Standing upon the steps of the threshold, with her hand leaning on the
white wall, Djala watched the courtesan’s retreating form.
She walked slowly past the houses, in the deserted street bathed in
moonlight. A little flickering shadow danced behind her.
II
THE QUAY AT ALEXANDRIA
On the quay at Alexandria a singing-girl was standing singing. By her
side were two flute-girls, seated on the white parapet.
I
The satyrs pursue in the woods
The light-footed oreads.
They chase the nymphs upon the mountains,
They fill their eyes with affright,
They seize their hair in the wind,
They grasp their breasts in the chase,
And throw their warm bodies backwards
Upon the green dew-covered moss,
And the beautiful bodies, their beautiful bodies half divine,
Writhe with the agony . . .
O women! Eros makes your lips cry aloud
With dolorous, sweet Desire.
The flute-players repeated
“Eros
Eros!”
and wailed in their twin reeds.
II
Cybele pursues across the plain
Attys, beautiful as Apollo.
Eros has smitten her to the heart, and for him,
O Totoi! but not him for her,
Instead of love, cruel god, wicked Eros,
Thou counsellest but hatred . . .
Across the meads, the vast distant plains,
Cybele chases Attys;
And because she adores the scorned,
She infuses into his veins
The great cold breath, the breath of death.
O dolorous, sweet Desire!
“Eros!
Eros!”
Shrill wailings poured from the flutes.
III
The Goat-foot pursues to the river
Syrinx, the daughter of the fountain;
Pale Eros, that loves the taste of tears,
Kissed her as she ran, cheek to cheek;
And the frail shadow of the drowned maiden
Shivers, reeds, upon the waters.
But Eros kings it over the world and the gods.
He kings it over death itself.
On the watery tomb he gathered for us
All the reeds, and with them made the flute,
’Tis a dead soul that weeps here, women,
Dolorous, sweet Desire.
Public-domain text, read in full here on John Shaqi.
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