Ancient rhetoric and poetic : $b Interpreted from representative worksBaldwin, Charles Sears
History
Ancient rhetoric and poetic : $b Interpreted from representative works
Baldwin, Charles Sears
Classical literature -- History and criticism -- Theory, etc.; Poetics -- History -- To 1500; Rhetoric, Ancient
For forensic oratory[23] Aristotle provides as a speaker’s compend of
philosophy a survey of the objects and conditions of crime. He makes
no specific mention of what we now call criminal tendencies; and
his division of “extrinsic proofs,” i.e., of legal evidence (laws,
witnesses, contracts, tortures, the oath) is for the modern lawyer
neither scientific nor significant.
BOOK II
As Book I is the book of the speaker, Book II is the book of the
audience. The audience is not merely discussed; it furnishes the point
of view. As Book I considers the necessities and opportunities of the
speaker, so Book II considers the attitude of the audience. Book I is
rhetoric as conceived; Book II is rhetoric as received.
Since rhetoric is for judgment—for even deliberative speeches
are judged, and forensic is [concerned entirely with]
judgment—we must see to it not only that the speech shall be
convincing and persuasive, but also that the judge shall be in
the right frame of mind. For it makes a great difference to
persuasion, especially in deliberative speeches, but also in
forensic, how the speaker strikes the audience—both how the
hearers think he regards them, and in addition how they are
disposed toward him. How the speaker strikes the audience is
of more practical concern for deliberative speeches; how the
hearer is disposed, for forensic. The effect is not the same
on a friendly audience as on a hostile one, on the angry as on
the tranquil, but either different altogether or different in
degree.... Three [impressions] constitute persuasiveness—three,
that is, outside of the arguments used: wisdom, virtue, and
good will [i.e., a speaker’s persuasiveness, in the sense of
his personal effect on his hearers, depends on their believing
him to be wise, upright, and interested in them].... From
what sources [in moral habits, ἦθος], then, the speaker may
strike his hearers as wise and earnest we must gather from
the analysis of the virtues, whether his immediate purpose
be to make his audience feel thus and so or to appear thus
and so himself; but good will and affection we must discuss
now under the head of the emotions (πάθη). By emotions I
mean any changes, attended by pain or pleasure, that make a
difference to men’s judgment [of a speech]; e.g., anger, pity,
fear, etc., and their opposites. The consideration of each
emotion—anger, for instance—must have a threefold division: (1)
how people are angry, (2) what they are angry at, and (3) why;
for if we should know only one or two of these, not all three,
it would be impossible to excite anger, and so with the other
emotions.[24]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account