Ancient Rome and Modern America; A Comparative Study of Morals and MannersFerrero, Guglielmo
History
Ancient Rome and Modern America; A Comparative Study of Morals and Manners
Ferrero, Guglielmo
America -- Civilization; Europe -- Civilization; Justice, Administration of -- Rome; Progress
This picture of modern life is perfect. Never has man lived in such a
state of permanent and growing excitement. If the men of the ancient
world could come to life again, their first impression, you may be
sure, would be that mankind had gone mad. It is this excitement which
has produced the formidable explosion of energy that we are witnessing
on our little planet, which for ages had lived in comparative
tranquillity. But has not this formidable tension of the world-soul
itself need of limits? Can we conceive its being allowed to increase
indefinitely until the time when the nervous system breaks down as
inevitably it must? Can we conceive our perpetual agitation being
left without any limit save exhaustion, insanity, or death? The
question answers itself. The limits to the over-excitement of our
nerves raise one of the most serious problems of our epoch; a problem
with a thousand different aspects, which involves morals as well as
hygiene, politics as well as the intellectual life. Now sport may
be one of these limits, if it be practised—again I borrow from M.
de Coubertin—with calmness, “s’il devient cet empire du Matin Calme
d’où les deux vampires de notre civilisation—la hâte et la foule—sont
chassés”; if it be made, not one more in the long list of causes of
excitement and exhaustion, but a health-giving diversion, a beneficent
force capable of spraying the nerves with that divine ambrosia, now
so rare and so precious—healthy sleep and peace of mind. No one who
is convinced of the supreme necessity for limits can doubt that this
conception of sport is the truest, worthiest, and most beneficial;
indeed, the only one that is in its turn susceptible of a limit and
runs no risk of losing itself in excesses,—those excesses of sport, in
its quality of spectacle for the masses, whose brutalising and corrupt
effects are notorious.
Public-domain text, read in full here on John Shaqi.
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