Andreas Hofer: An Historical NovelMühlbach, L. (Luise)
History
Andreas Hofer: An Historical Novel
Mühlbach, L. (Luise)
Hofer, Andreas, 1767-1810 -- Fiction; Tyrol (Austria) -- History -- Uprising of 1809 -- Fiction
But there was a surging crowd also in the festively-decorated
university hall. All had come in their holiday attire, and joy and
profound emotion beamed from all faces. Friends shook hands and
greeted each other with radiant eyes; and even those who did not
know each other exchanged kindly greetings and pleasant smiles on
seating themselves side by side, and looked at each other as though
they were friends and acquaintances, and not entire strangers.
For all felt the great importance of this hour; all felt themselves
Germans, owing to the homage which they were to render to the German
maestro and to German music; and all knew that this festival would
be looked upon beyond the Rhine as a hostile demonstration of the
Germans against French pride and arrogance. They wished to show to
France that, although Germany was dismembered, the heart of the
Germans throbbed for Germany and German art, and that they did not
feel at all alarmed at the grandiloquent threats of the Emperor of
the French, but yielded with undisturbed equanimity to the enjoyment
of German art. While the threatening words of the Emperor Napoleon
were resounding, like ringing war-fanfares, from Paris, the Viennese
desired to respond to him by the beautiful notes of sublime music;
and, regardless of the growls of the lion beyond the Rhine, they
wished to delight in the soul-stirring harmonies of "The Creation."
All preparations were now completed. The hall was all ablaze with
the wax-lights which were beaming down from those gigantic lustres,
and whose rays were reflected in the large mirrors covering the
walls. The imperial box was splendidly festooned with rare flowers,
and decorated with carpets and gilt candelabra, whose enormous wax-
lights filled the interior of the spacious box with broad daylight.
Opposite the imperial box, on the other side of the hall, rose the
large tribune destined for an orchestra of eighty performers and a
choir of one hundred singers. All the latter, too, were in joyous
spirits; all were animated to-day, not by the envy and jealousy so
often to be found among artistes, but by the one great desire to
contribute their share to the homage to be rendered to German art.
They did not wish to-day to exhibit themselves and their artistic
skill, but desired only to render homage to the music of the great
maestro, and to German art.
And now the hour was at hand when the concert was to commence. The
audience had taken their seats, the orchestra ceased tuning their
instruments, the singers were in readiness, and the committee of
arrangements had gone down to the street-door to await Haydn's
arrival.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account