Andreas Hofer: An Historical NovelMühlbach, L. (Luise)
History
Andreas Hofer: An Historical Novel
Mühlbach, L. (Luise)
Hofer, Andreas, 1767-1810 -- Fiction; Tyrol (Austria) -- History -- Uprising of 1809 -- Fiction
The door of the imperial box opened at this moment, and the emperor
and empress entered, followed by the archdukes and their suites. To-
day for the first time the audience took no notice of these august
persons; they did not rise to greet the imperial couple and the
archdukes. No one had perceived their arrival, for all eyes were
steadfastly fixed on the large folding-doors by which Joseph Haydn
was to enter the hall.
He had been expected already for some time, and the audience began
to whisper anxiously: "Will he, perhaps, not come, after all? Will
his physician not permit him to go to the concert because the
excitement might be injurious to him?"
But all at once the silence was broken by a noise in the street,
which sounded like the roar of the stormy ocean; it rent the air,
and caused the windows of the hall to rattle. And the audience was
joyfully moved; all faces became radiant, all turned their eyes
toward the door.
Now this door opened, and a beautiful though strange group appeared
in it. In its midst, on the shoulders of eight strong young men,
arose an easy chair, festooned with flowers, and in this chair sat
the small, bent form of an old man. His face was pale and wan, and
in his forehead the seventy-seven years of his life had drawn deep
furrows; but from his large blue eyes beamed the eternal fire of
youth, and there was something childlike and touching in the smile
of his mouth. On the right side of his easy-chair was seen the
imposing form of a gentleman, plainly dressed, but with a head full
of majestic dignity, his face gloomy and wild, his high forehead,
surrounded by dense dishevelled hair, his eyes now gleaming with
sombre fires, now glancing mildly and amiably. It was Louis von
Beethoven, whom Haydn liked to call his pupil, and whose fame had at
that time already penetrated far beyond the frontiers of Austria. On
the left side of the easy-chair was seen the fine, expressive face
of Salieri, who liked to call himself Gluck's pupil; and side by
side with these two walked Kreutzer and Clementi, and the other
members of the committee of arrangements.
Thundering cheers greeted their appearance; the whole audience rose;
even the Empress Ludovica started up from her gilded chair and bowed
smilingly; and the Archduke John advanced close to the railing of
the box to greet again and again with pleasant nods of his head and
waves of his hand Joseph Haydn, thus borne along above the heads of
the audience. But the Emperor Francis, who was standing by the side
of his consort, looked with a somewhat sneering expression on the
crowd below, and, turning to the empress, he said: "Perhaps my dear
Viennese may consider Haydn on his easy-chair yonder their emperor,
and I myself may abdicate and go home. They did not even look at us
to-night, and are raising such a fuss now as though God Almighty had
entered the ball!"
Public-domain text, read in full here on John Shaqi.
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