Andreas Hofer: An Historical NovelMühlbach, L. (Luise)
History
Andreas Hofer: An Historical Novel
Mühlbach, L. (Luise)
Hofer, Andreas, 1767-1810 -- Fiction; Tyrol (Austria) -- History -- Uprising of 1809 -- Fiction
In effect, the exultation of the audience increased at every step
which the procession advanced, and endless cheers accompanied the
composer to the seat which had been prepared for him on an estrade
in front of the orchestra.
Here two beautiful ladies of high rank came to meet him, and
presented to him, on cushions of gold-embroidered velvet, poems
written by Collin and Carpani and printed on silken ribbons. At the
same time many hundred copies of these poems flittered through the
hall, and all shouted joyously, "Long live Joseph Haydn, the German
maestro!" And the orchestra played a ringing flourish, and the
cheers of the audience rent the air again and again.
Joseph Haydn, quite overcome, his eyes filled with tears, leaned his
head against the back of his chair. A mortal pallor overspread his
cheeks, and his hands trembled as though he had the fever.
"Maestro, dear, dear maestro!" said the Princess Esterhazy, bending
over him tenderly, "are you unwell? You tremble, and are so pale!
Are you unwell?"
"Oh, no, no," said Haydn, with a gentle smile, "my soul is in
ecstasies at this hour, which is a precious reward for a long life
of arduous toils. My soul is in ecstasies, but it lives in such a
weak and wretched shell; and because the soul is all ablaze with the
fires of rapturous delight, the whole warmth has entered it, and the
poor mortal shell is cold and trembling."
The Princess Esterhazy took impetuously from her shoulders the
costly Turkish shawl in which her form was enveloped; she spread it
out before Haydn and wrapped it carefully round his feet. Her
example was followed immediately by the Princesses Lichtenstein and
Kinsky, and the Countesses Kaunitz and Spielmann. They doffed their
beautiful ermine furs and their Turkish and Persian shawls, and
wrapped them around the old composer, and transformed them into
cushions which they placed under his head and his arms, and blankets
with which they covered him. [Footnote: See "Zeitgenossen," third
series, vol. vi., p. 32]
Haydn allowed them smilingly to do so, and thanked, with glances of
joyful emotion, the beautiful ladies who manifested so much tender
solicitude for him.
"Why can I not die now?" he said to himself in a low voice. "Why
does not Death kiss my lips at this glorious hour of my triumph? Oh,
come, Death! waft me blissfully into the other world, for in this
world I am useless henceforth; my strength is gone, and my head has
no more ideas. I live only in and on the past!"
"And yet you live for all time to come," said the Princess
Esterhazy; enthusiastically, "and while German art and German music
are loved and honored, Joseph Haydn will never die and never be
forgotten."
Hushed now was every sound. Salieri had taken his seat as conductor
of the concert, and signed now to the orchestra.
Public-domain text, read in full here on John Shaqi.
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