Now all the clocks of the city--all, that is, that were right, and had bells--began to sound midnight. But the absorbed author and authority paced on, aware of no sound. He was thinking, with something like excitement, of his next novel, "Bondwomen's" greater successor, for which he was now just struggling to fix his point of view, straighten out his "moral plot," by means of notes in the old French exercise-book. Long as he had sensed a certain spiritual starkness in his first novel, long as he had looked forward to his second, the vital questions concerning his new "line" had never yet been settled in his mind.... Well, suppose that, with a frank, courageous change of front, he employed the New Novel to sound the wholesome Note of Warning; suppose that he boldly took a Home-Maker for his heroine, for example, and justified her--justified her _scientifically_--as no modern thinker had ever justified her before.... The striking idea was not a new one altogether; but its possibilities, suddenly opening out, rapidly grew more and more interesting. Unfortunately, before it could be developed in even the smallest degree, it was abruptly interfered with by a most unwelcome intrusion of the practical. Charles Garrott was a tutor. He had turned eagerly to his table, to capture certain phrases at least, while they were yet hot in his mind. But now, chillingly, his eye fell upon that other exercise-book, lying there publicly atop the volume on Women. At a glance that book looked exactly like its sister, kept hidden in a drawer; but in fact there was a boundless distinction. No hand had overwritten the label of that book there raising it to the peerage, as it were. That book was just a common book: "French Composition." And it was known to contain uncorrected exercises, forty sentences at least, which must be tutorially attended to, before Charles Garrott slept this night. There followed a brief struggle; but it could end in only one way. Charles, with no good grace, sat at his table and clutched up a fat blue pencil.