Angels in art; Christian art and symbolism; Painting -- Reproduction
But Uriel has not been entirely ignored, even by the Christian Church,
and an early tradition teaches that this archangel, and not Christ,
accompanied the two disciples on their way to Emmaus. In the book of
Esdras we read, “The angel that was sent unto me, whose name was Uriel.”
His office was that of interpreter of judgments and prophecies, which
Milton recognizes thus:
“Uriel, for thou of those Seven Spirits that stand
In sight of God’s high throne, gloriously bright,
The first art wont his great authentic will
Interpreter through highest heaven to bring.”
In several ancient churches four archangels are represented in the
architectural decoration. An example in which they are very splendid is
that in the mosaics above the choir arch in the Cathedral of Monreale,
Palermo. These colossal, armed figures are impressive, not only from
their size, but also because of their apparent realization of their
illustrious rank in the order of created beings.
More frequently the four archangels are so represented as to appear to
sustain the roof, or vault, in churches where the figure of Christ, or
his symbol, the Lamb, is pictured as the central decoration. These are
clearly intended to personate the four “who sustain the throne of God.”
Their symbols are sceptres or lances; at times they stand erect, like
faithful, watchful guardians; again with arms outstretched they seem to
uphold the vault on which Christ is portrayed.
The representations of three archangels are more numerous than the
above, and are variously treated. In some ancient pictures they have no
wings, and appear like men of princely rank and noble character. I have
seen the visitors of Abraham thus represented, which accords with the
Hebrew idea of angels at the period when Abraham was thus honored; for,
as I have mentioned, it was not until after the captivity, when the
Egyptian custom of giving wings to their representations of messengers
had been observed, that the cherubim and seraphim covered the mercy-seat
with their wings.
One of the best known and most beautiful pictures of these angelic
visitors is that by Raphael in the fourth arcade of the Loggie of the
Vatican.
CHAPTER V.
GUARDIAN ANGELS, ANGEL CHORISTERS, AND ADORING ANGELS--DEMONS AND
EVIL SPIRITS.
From the classification of the angelic hosts by the early theologians,
and the special duties assigned to each class, we learn that the word
angels, as ordinarily used, refers to archangels and angels only; these
two classes are associated with human life in all its phases, while
princedoms protect monarchies, thrones sustain the throne of God,
cherubs continually worship, and seraphs adore the Most High.
A belief in guardian angels--those especially devoted to the care of
individuals--is far more widespread than the realism of the present day
is inclined to admit. The godly man has a sure warrant for this trust in
the ninety-first psalm:
Public-domain text, read in full here on John Shaqi.
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