Angels in art; Christian art and symbolism; Painting -- Reproduction
“Because thou hast made the Lord, which is my refuge, even the Most
High, thy habitation; there shall no evil befall thee, neither
shall any plague come nigh thy dwelling. For he shall give his
angels charge over thee, to keep thee in all thy ways.”
We cannot think of angels as a reality in the winged, human forms that
have been given them in Art, any more than we can look for mermaids to
rise from the waters mentioned in the charming legends in which these
maidens acted their parts. These imaginary and apparently palpable
angels are but allegories, which long have been and continue to be the
angels of Art, and we could not willingly give them up. We know that
[Illustration: FRA ANGELICO.--ANGEL CHORISTERS.]
they are impossible, even fantastic, if we permit ourselves to be
matter-of-fact; but as emblems of spiritual guardians, sent to mortals
by an ever-watchful Father, we love them; and we wish to believe in
guardian angels for those who are dear to us, even if we cannot realize
them for ourselves.
In one of the early councils of the Church the form of angels was
considered, and it was maintained by John of Thessalonica that they were
in shape like men, and should be thus represented. This decision is
supported by the supposition that God spoke to the angels when he said,
“Let us make man after _our_ image;” and again by Daniel, when he
describes his heavenly visitors as “like unto the similitude of the sons
of men.”
A guardian angel must be ever beside his charge from the beginning to
the end of life, not only to guard from evil, but also to incite to
good. In sorrow he is a comforter; in weakness, strength; even in death
he is faithful, and contends against the evil spirits who fight for the
possession of every soul; and after death he bears the spirit to St.
Michael, the Lord of Souls. Thus is the guardian angel represented in
Art, as is seen in our illustration called the Angel of Peace.
When we observe a beautiful, unselfish life that rises far above its
surroundings, we recall the belief in angelic guardians, and the
description which Milton gave of a chaste, saintly soul:
“A thousand liveried angels lackey her,
Driving far off each thing of sin and guilt;
And in clear dream and solemn vision
Tell her of things that no gross ear can hear,
Till oft converse with heav’nly habitants
Begin to cast a beam on th’ outward shape.”
The impersonality of angels is one of their most precious qualities. An
angel
[Illustration: KAULBACH.--THE ANGEL OF PEACE.]
is never active except as the agent of the Almighty, deputed to manifest
his mercy and love to the pious, or to inflict his punishments on the
wicked. Thus angels must be perfect beings; and while they love to
serve, their service is void of the personality which is inherent in all
human service. When they sing together it is because some good has come
to men, and when they mourn it is for human affliction.
Public-domain text, read in full here on John Shaqi.
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