Country life -- Fiction; Domestic fiction; Mothers and daughters -- Fiction; Scotland -- Fiction
"It was one of a row of houses," said Mrs. Douglas. "There was a gate
and a strip of garden, and a gravel-path leading to the front door. On
your right as you went in at the door was the dining-room--but before
we got to that your father had to show me everything in the little
entrance hall and tell me the price. Very ugly things you would call
them--you who like crumbling Jacobean chests and gate tables; but I was
very well pleased with the brand new hall table (on which stood a large
brass bell), the hat-stand, and the thing for umbrellas. I really
liked them much better than the beautiful old things at Etterick; they
were new and they were mine. The dining-room had a bow window which
held a green wire stand full of growing ferns. (Isn't it odd that
after forty years I remember every detail?) The room was hardly big
enough to hold the huge mahogany sideboard with the mirrored back, and
all the other furniture."
"I remember the pictures," Ann said, "at least I expect they were the
same as at Kirkcaple and Glasgow--big steel engravings; one of a slave
market which I liked very much, and another that the boys liked better,
of fat priests looking at the provisions brought by the country people
for the Monastery--ducks and fowls, and a large salmon and a slain
deer. We made up stories about those pictures."
"The drawing-room was the crowning glory of the house," Mrs. Douglas
went on. She was not listening to her daughter; she was living over
again that first enchanting peep at her own house. "My father
furnished it for us, and everything he did was well done. It was
midnight before we had finished supper, but I couldn't have slept
without seeing it. The wall-paper was pure white with bunches of gilt
flowers; it was your father's choice and I thought I had seldom seen
anything so beautiful. How dull it must be for women who marry men who
take no interest in the house! I'm thankful that I had a man who was
interested in every thing. It made doing things so much more worth
while. He was so innocent the way he showed his belongings to people,
taking their interest for granted, like a child. I can see him now
watching my face as the full glory of the room burst on me. It was lit
by a glittering glass gasalier hung from the ceiling; I had known only
lamps and candles. The rosewood suite was covered with bright crimson
rep, there were crimson rep curtains at the bow window, a chiffonier
with a marble top stood against one wall, our shining new piano against
another, a round rosewood table in the middle of the room, and an
ottoman covered with bead work in the window. Really, Ann, I can
hardly forgive you when I think that when you grew up you made me part
with the chiffonier and the rosewood table, and the ottoman, and that
_comfortable_ couch."
"What a vindictive mother!" said Ann. "But why did you do it? Surely
my eighteen-year-old yearnings after a high-art drawing-room could have
been quelled."
Public-domain text, read in full here on John Shaqi.
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