Country life -- Fiction; Domestic fiction; Mothers and daughters -- Fiction; Scotland -- Fiction
"Oh, I suppose they could, but I didn't want to 'daunton' you, and you
didn't see how you could live unless you got at least one room in the
house made what you called artistic. You said our drawing-room walls
were just a network, and perhaps I had too many things hanging from the
picture-rail (it used to be a puzzle to get them all up again at
spring-cleaning times), but they had all a reason for being there--the
plaques framed in plush that Mark painted, your water-colours, and all
the enlarged photographs of people I was fond of. You put them all
ruthlessly away, and had the walls done with brown paper and hung up a
few dreary-looking pictures in dark frames. And you chose a dull blue
carpet, and orange cushions, and all my cheerful red rep chairs were
covered with sad-coloured stuffs, and you got green blinds and kept
them pulled down so that the room was almost quite dark, and people who
came to call just stotted over obstacles on their way to shake hands.
And you banished photographs----"
Ann's face wore a guilty look as her mother told of her sins and faults
of youth, and she broke in:
"But own, Mother, that the phase didn't last long. I know it was
dreadful while it lasted. I had met some artists and they had fussed
me and my head was turned. I must have been a sore trial to my family
at that time. Father, losing patience with me one night, said, 'Oh, go
to bed, girl, and don't sit attitudinising there!' You should have
beaten me instead of giving in to me when I suggested putting away the
things you were fond of. Young people are heartless because they don't
think. I would know better now."
Public-domain text, read in full here on John Shaqi.
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