Anna Seward, and Classic LichfieldMartin, Stapleton
History
Anna Seward, and Classic Lichfield
Martin, Stapleton
English poetry -- 18th century -- History and criticism; Seward, Anna, 1742-1809; Women poets -- Biography
Anna Seward made friends with, and had a great admiration for, the
celebrated recluses, “the ladies of Llangollen Vale,”—Lady Eleanor Butler
and Miss Sarah Ponsonby. They were so called because when they arrived
their names were unknown. It is said that they never left their home for
50 years, and were so absolutely devoted as to be inseparable from each
other. They adopted a semi-masculine attire. These curious
ladies,—“extraordinary women,”—are described as ladies of genius, taste
and knowledge—who were “sought by the first characters of the age, both
as to rank and talents.”
She kept up a considerable correspondence with both of them. Their house
at Plas Newydd is described minutely and at great length in one of her
letters. It is still standing, and continues to be visited by scores of
tourists. Lady Eleanor Butler died in 1829, and Miss Sarah Ponsonby in
1831. One of Anna Seward’s poems is entitled “Llangollen Vale,” and was
inscribed to these ladies, as likewise were some more of her verses.
In 1782 Anna Seward produced “Louisa,” a poetical novel in four epistles.
It ran through five editions. She says that she received the highest
encomiums upon the poem “by the first literary characters of the age.”
It is now rarely read. However, the writer of an article in “The Lady’s
Monthly Museum” for March, 1799, vol. 2, wrote that, “the story, though
interesting enough, is but a secondary object. It is told in strains,
which, for energy, voluptuousness, and dignity of description, are rarely
found in our language.” The writer further states that “our readers will
be amply gratified by a perusal of the whole poem, which is everywhere
equally replete with genius and taste, happy invention, and a luxury of
glowing description.”
She found another writer of the time ready to defend her against a
reviewer who had brought a charge of “accumulating in her dramatic
characters glaring metaphors,” and of aiming “to dazzle by superfluity of
ornaments.”
In 1790 Canon Seward died. He was deeply beloved by his daughter, who
most dutifully nursed him for some ten years before his death.
Public-domain text, read in full here on John Shaqi.
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