Annette and Sylvie: Being Volume One of The Soul EnchantedRolland, Romain
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Annette and Sylvie: Being Volume One of The Soul Enchanted
Rolland, Romain
French fiction -- Translations into English
Their confidences went further, now. It would not be easy to reproduce
them all. It comes quite naturally to young girls who love each other to
calmly say audacious things in their conversation, things that in their
mouths preserve a semi-innocence, but which would have none were they
repeated by another. In these talks the difference of their two natures
was clearly shown: the laughing, child-like, perfectly assured
unmorality of the one; and the passionate, disquieting, electrically
charged seriousness of the other. There were clashes; Annette was
exasperated by the greedy levity and wilful bawdiness with which Sylvie
discussed amorous subjects. Audacious in her soul, she was reserved in
her words; it seemed that she feared to hear what she thought. She had
fits of shutting herself up in a double tower, in a fierce dumbness that
she herself did not quite understand. Sylvie understood it much better.
After she had lived with her for fifteen days, Sylvie knew Annette
better than Annette knew herself.
Yet it was not that her mental faculties lifted her above the average of
an agreeable Paris working girl. Aside from a practical sense that was
very sound and cautious--but from which she never drew the most possible
profit, because she almost always preferred to obey her caprices--she
did not emerge from her own sphere to any great extent. Certainly
everything amused her, but nothing really interested her except
fashions. As for everything that had to do with art--pictures, music,
books--she never got beyond the most ordinary stage of appreciation, and
sometimes she didn't reach that. Annette was often embarrassed by her
taste. Sylvie would realize it, and say:
"Ouf! I've put my foot in it again. . . . Well, tell me someone who
behaves properly in society! . . ."
(She spoke of a picture as one speaks of a hat.)
"What should one admire? Once I know, I shall be able to do it as well
as anyone else. . . ."
But on other occasions she was not so conciliatory; she held out stoutly
for the hero of some newspaper serial or for some insipid romance which
was to her the last word in art and sentiment. However, she obliged her
elder sister to discover the value, or rather the artistic promise, of a
genre that Annette had always insisted on running down without knowing
anything about it: the movies, which Sylvie adored, indiscriminately.
Public-domain text, read in full here on John Shaqi.
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