The salon of Mademoiselle des Touches is noted in Paris as being the
last refuge where the old French wit has found a home, with its reserved
depths, its myriad subtle byways, and its exquisite politeness. You will
there still find grace of manner notwithstanding the conventionalities
of courtesy, perfect freedom of talk notwithstanding the reserve which
is natural to persons of breeding, and, above all, a liberal flow of
ideas. No one there thinks of keeping his thought for a play; and no one
regards a story as material for a book. In short, the hideous skeleton
of literature at bay never stalks there, on the prowl for a clever sally
or an interesting subject.
The memory of one of these evenings especially dwells with me, less by
reason of a confidence in which the illustrious de Marsay opened up
one of the deepest recesses of woman’s heart, than on account of the
reflections to which his narrative gave rise, as to the changes that
have taken place in the French woman since the fateful revolution of
July.
On that evening chance had brought together several persons, whose
indisputable merits have won them European reputations. This is not
a piece of flattery addressed to France, for there were a good many
foreigners present. And, indeed, the men who most shone were not the
most famous. Ingenious repartee, acute remarks, admirable banter,
pictures sketched with brilliant precision, all sparkled and flowed
without elaboration, were poured out without disdain, but without
effort, and were exquisitely expressed and delicately appreciated. The
men of the world especially were conspicuous for their really artistic
grace and spirit.
Elsewhere in Europe you will find elegant manners, cordiality, genial
fellowship, and knowledge; but only in Paris, in this drawing-room,
and those to which I have alluded, does the particular wit abound which
gives an agreeable and changeful unity to all these social qualities,
an indescribable river-like flow which makes this profusion of ideas, of
definitions, of anecdotes, of historical incidents, meander with ease.
Paris, the capital of taste, alone possesses the science which makes
conversation a tourney in which each type of wit is condensed into a
shaft, each speaker utters his phrase and casts his experience in a
word, in which every one finds amusement, relaxation, and exercise.
Here, then, alone, will you exchange ideas; here you need not, like the
dolphin in the fable, carry a monkey on your shoulders; here you will
be understood, and will not risk staking your gold pieces against base
metal.
Here, again, secrets neatly betrayed, and talk, light or deep, play and
eddy, changing their aspect and hue at every phrase. Eager criticism and
crisp anecdotes lead on from one to the next. All eyes are listening,
a gesture asks a question, and an expressive look gives the answer. In
short, and in a word, everything is wit and mind.
Public-domain text, read in full here on John Shaqi.
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