The phenomenon of speech, which, when duly studied and well handled,
is the power of the actor and the story-teller, had never so completely
bewitched me. Nor was I alone under the influence of its spell; we all
spent a delightful evening. The conversation had drifted into anecdote,
and brought out in its rushing course some curious confessions,
several portraits, and a thousand follies, which make this enchanting
improvisation impossible to record; still, by setting these things
down in all their natural freshness and abruptness, their elusive
divarications, you may perhaps feel the charm of a real French evening,
taken at the moment when the most engaging familiarity makes each one
forget his own interests, his personal conceit, or, if you like, his
pretensions.
At about two in the morning, as supper ended, no one was left sitting
round the table but intimate friends, proved by intercourse of fifteen
years, and some persons of great taste and good breeding, who knew the
world. By tacit agreement, perfectly carried out, at supper every one
renounced his pretensions to importance. Perfect equality set the tone.
But indeed there was no one present who was not very proud of being
himself.
Mademoiselle des Touches always insists on her guests remaining at table
till they leave, having frequently remarked the change which a move
produces in the spirit of a party. Between the dining-room and the
drawing-room the charm is destroyed. According to Sterne, the ideas
of an author after shaving are different from those he had before. If
Sterne is right, may it not be boldly asserted that the frame of mind of
a party at table is not the same as that of the same persons returned
to the drawing-room? The atmosphere is not heady, the eye no longer
contemplates the brilliant disorder of the dessert, lost are the happy
effects of that laxness of mood, that benevolence which comes over us
while we remain in the humor peculiar to the well-filled man, settled
comfortably on one of the springy chairs which are made in these days.
Perhaps we are not more ready to talk face to face with the dessert and
in the society of good wine, during the delightful interval when every
one may sit with an elbow on the table and his head resting on his
hand. Not only does every one like to talk then, but also to listen.
Digestion, which is almost always attent, is loquacious or silent, as
characters differ. Then every one finds his opportunity.
Was not this preamble necessary to make you know the charm of the
narrative, by which a celebrated man, now dead, depicted the innocent
jesuistry of women, painting it with the subtlety peculiar to persons
who have seen much of the world, and which makes statesmen such
delightful storytellers when, like Prince Talleyrand and Prince
Metternich, they vouchsafe to tell a story?
Public-domain text, read in full here on John Shaqi.
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