Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth centuryWiener, Leo
General
Anthology of Russian literature from the earliest period to the present time, volume 1 (of 2) : $b From the tenth century to the close of the eighteenth century
Wiener, Leo
Russia -- Literary collections; Russian literature -- Translations into English
But does she wish to see herself in pictures? Here, Zephyrs bring
her Pomona’s horn and, strewing flowers before her, disport with her
in vales; in another, she with mighty buckler in her hands, dressed
as Pallas, threatens from her steed, with her fair looks more than
with her spear, and vanquishes the hearts through a pleasant plague.
There stands Saturn before her: toothless, baldheaded and grey, with
new wrinkles on his old face, he tries to appear young: he curls his
sparse tufts of hair, and, to see Psyche, puts on his glasses. There,
again, she is seen like a queen, with Cupids all around her, in an
aërial chariot: to celebrate fair Psyche’s honour and beauty, the
Cupids in their flight shoot hearts; they fly in a large company,
all carrying quivers over their shoulders, and, taking pride in her
beautiful eyes, raise their crossbows and proclaim war to the whole
world. There, again, fierce Mars, the destroyer of the law of peace,
perceiving Psyche, becomes gentle of manner: he no longer stains the
fields with blood, and finally, forgetting his rules of war, lies
humbled at her feet and glows with love to her. There, again, she is
pictured among the Pleasures that precede her everywhere and by the
invention of varied games call forth a pleasant smile upon her face.
In another place the Graces surround the princess and adorn her with
various flowers, while Zephyr, gently wafting about her, paints her
picture to adorn the world with; but, jealous of licentious glances,
he curbs the minds of the lovers of licentiousness, or, perchance,
shunning rebellious critics, hides in the painting the greater part of
her beauties, though, as is well known, before Psyche those beauties of
themselves appear in the pictures.
In order that various objects, meeting her eyes, should not weary
her, her portraits alone were placed upon the wall, in simple and in
festive gowns, or in masquerade attire. Psyche, you are beautiful in
any attire: whether you be dressed as a queen, or whether you be seated
by the tent as a shepherdess. In all garments you are the wonder of
the world, in all you appear as a goddess, and but you alone are more
beautiful than your portrait.
Gavriíl Románovich Derzhávin. (1743-1816.)
Public-domain text, read in full here on John Shaqi.
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