Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
The starlings were Mr. Gumbril’s most affectionately cherished friends;
sitting out on his balcony to watch and listen to them, he had caught at
the shut of treacherous evenings many colds and chills on the liver, he
had laid up for himself many painful hours of rheumatism. These little
accidents did nothing, however, to damp his affection for the birds; and
still on every evening that could possibly be called fine, he was always
to be seen in the twilight, sitting on the balcony, gazing up,
round-spectacled and rapt, at the fourteen plane trees. The breezes
stirred in his grey hair, tossing it up in long, light wisps that fell
across his forehead and over his spectacles; and then he would shake his
head impatiently, and the bony hand would be freed for a moment from its
unceasing combing and clutching of the sparse grey beard to push back
the strayed tendrils, to smooth and reduce to order the whole ruffled
head. The birds chattered on, the hand went back to its clutching and
combing; once more the wind blew; darkness came down, and the gas lamps
round the square lit up the outer leaves of the plane trees, touched the
privet bushes inside the railings with an emerald light; behind them was
impenetrable night; instead of shorn grass and bedded geraniums there
was mystery, there were endless depths. And the birds at last were
silent.
Mr. Gumbril would get up from his iron chair, stretch his arms and his
stiff cold legs and go in through the French window to work. The birds
were his diversion; when they were silent, it was time to think of
serious matters.
To-night, however, he was not working; for always on Sunday evenings his
old friend Porteous came to dine and talk. Breaking in unexpectedly at
midnight, Gumbril Junior found them sitting in front of the gas fire in
his father’s study.
“My dear fellow, what on earth are you doing here?” Gumbril Senior
jumped up excitedly at his son’s entrance. The light silky hair floated
up with the movement, turned for a moment into a silver aureole, then
subsided again. Mr. Porteous stayed where he was, calm, solid and
undishevelled as a seated pillar-box. He wore a monocle on a black
ribbon, a black stock tie that revealed above its double folds a quarter
of an inch of stiff white collar, a double-breasted black coat, a pair
of pale checked trousers and patent leather boots with cloth tops. Mr.
Porteous was very particular about his appearance. Meeting him casually
for the first time, one would not have guessed that Mr. Porteous was an
expert on Late Latin poetry; and he did not mean that you should guess.
Thin-limbed, bent and agile in his loose, crumpled clothes, Gumbril
Senior had the air, beside Mr. Porteous, of a strangely animated
scarecrow.
“What on earth?” the old gentleman repeated his question.
Gumbril Junior shrugged his shoulders. “I was bored, I decided to cease
being a schoolmaster.” He spoke with a fine airy assumption of
carelessness. “How are you, Mr. Porteous?”
Public-domain text, read in full here on John Shaqi.
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