Black humor; City and town life -- Fiction; Intellectuals -- Fiction; London (England) -- Fiction; Satire
“Not mortually, I ’ope?” Coleman turned with solicitude to his
neighbour; then shook his head. “Mortually I fear. Kiss me ’Ardy, and I
die happy.” He blew a kiss into the air. “But why is the physiologue so
slow? Up, pachyderm, up! Answer. You hold the key to everything. The
key, I tell you, the key. I remember, when I used to hang about the
biological laboratories at school, eviscerating frogs—crucified with
pins, they were, belly upwards, like little green Christs—I remember
once, when I was sitting there, quietly poring over the entrails, in
came the laboratory boy and said to the stinks usher: ‘Please, sir, may
I have the key of the Absolute?’ And, would you believe it, that usher
calmly put his hand in his trouser pocket and fished out a small Yale
key and gave it him without a word. What a gesture! The key of the
Absolute. But it was only the absolute alcohol the urchin wanted—to
pickle some loathsome fœtus in, I suppose. God rot his soul in peace!
And now, Castor Fiber, out with your key. Tell us about the Archetypal
Man, tell us about the primordial Adam. Tell us all about the _boyau
rectum_.”
Ponderously, Shearwater moved his clumsy frame; leaning back in his
chair he scrutinized Coleman with a large, benevolent curiosity. The
eyes under the savage eyebrows were mild and gentle; behind the fearful
disguise of the moustache he smiled poutingly, like a baby who sees the
approaching bottle. The broad, domed forehead was serene. He ran his
hand through his thick brown hair, scratched his head meditatively and
then, when he had thoroughly examined, had comprehended and duly
classified the strange phenomenon of Coleman, opened his mouth and
uttered a little good-natured laugh of amusement.
“Voltaire’s question,” he said at last, in his slow, deep voice, “seemed
at the time he asked it an unanswerable piece of irony. It would have
seemed almost equally ironic to his contemporaries, if he had asked
whether God had a pair of kidneys. We know a little more about the
kidneys nowadays. If he had asked me, I should answer: why not? The
kidneys are so beautifully organized; they do their work of regulation
with such a miraculous—it’s hard to find another word—such a positively
divine precision, such knowledge and wisdom, that there’s no reason why
your archetypal man, whoever he is, or any one else, for that matter,
should be ashamed of owning a pair.”
Coleman clapped his hands. “The key,” he cried, “the key. Out of the
trouser pocket of babes and sucklings it comes. The genuine, the unique
Yale. How right I was to come here to-night! But, holy Sephiroth,
there’s my trollop.”
He picked up his stick, jumped from his chair and threaded his way
between the tables. A woman was standing near the door. Coleman came up
to her, pointed without speaking to the table, and returned, driving her
along in front of him, tapping her gently over the haunches with his
stick, as one might drive a docile animal to the slaughter.
Public-domain text, read in full here on John Shaqi.
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