as he lied to morality, but his business he would not forget. He came to philosophy with _demands,_ and would not rest till he had received satisfaction. He had already seen how a Corsican lieutenant had become a French Emperor. Why should not the beaten Emperor fight his last fight?... And how shall he be reconciled with self-renunciation? Philosophy will surrender: it is only necessary not to surrender in one's self. So does a Napoleon come to philosophy, and so does he understand her. And until the contrary is proven, nothing can prevent us from thinking that the Napoleons are right, and therefore that academical philosophy is not the last nor even the penultimate word. For, perhaps, the last word is hidden in the hearts of the tongue-tied, but bold, persistent, implacable men. VIII _Heinrich Heine_ More than a hundred years have passed since the birth, and fifty years since the death, of this remarkable man, but the history of literature has not yet finally settled accounts with him. Even the Germans, perhaps the Germans above all, find it impossible to agree upon the valuation of his gift. Some consider him a genius, others a man devoid of talent and insipid. Moreover, his enemies still bring as much passion to their attacks upon him as they did before, as though they were waging war upon a live opponent in place of a dead one. They hate him for the same things which made his contemporaries hate him. We know that it was principally for his insincerity that they did not forgive him. No one could tell when he was speaking seriously and when in jest, what he loved and what he hated, and finally it was quite impossible to determine whether or not he believed in God. It must be confessed that the Germans were right in many of their accusations. I value Heine extremely highly; in my opinion he is one of the greatest German poets; and yet I cannot undertake to say with certainty what he loved, what he believed, and often I cannot tell how serious he is in uttering one or another of his opinions. Nevertheless I find it impossible to detect any insincerity in his works. On the contrary, those peculiarities of his, which so irritated the Germans, are in my eyes so many proofs of his wonderful and unique sincerity. I think that if the Germans were mistaken and misunderstood Heine, hypertrophied self-love and the power of prejudice is the cause. Heine's usual method is to begin to speak with perfect seriousness, and to end with biting raillery and sarcasm. Critics and readers, who generally do not guess at the outset what awaits them in the event, have taken the unexpected laughter to their own account, and have been deeply offended. Wounded self-love never forgives; and the Germans could not forgive Heine for his jests. And yet Heine but rarely attacked others: most of his mockery is directed against himself, and above all in the work of his last creative period, of the years when he lived in the _Matrazengrab._