In its origin, the Phallus or emblem of the generative and procreative powers of nature appears to have been of a very simple and inoffensive character--although it was afterwards made subservient to the grossest and most superstitious purposes. In India this worship is everywhere to be found accompanying the triune God, called by the Hindoos, _Trimourti_ or _Trinity_, and the significant form of the single obelisk or pillar called the _Linga_ or _Lingham_;[3] and it should be observed, in justice to the Hindoos that it is some comparative and negative praise to them, that this emblem, under which they express the éléments and operations of nature is not externally indecorous. Unlike the abominable realities of Egypt, Greece, and Rome, we see this Indian phallic emblem in the Hindoo religious exhibitions, without offence, nor know, until information be extorted, that we are contemplating a symbol whose prototype is obscene.[4] [Illustration: PLATE II., Fig 1. Lingham, Fig 2. Pan's head.] Besides the Lingham, the equally significant _Yoni_ or _Cteis_ is to be seen, being the female organ of generation. It is sometimes single, often in conjunction, for the Indians, believing that the emblem of fecundity might be rendered more energetic by combining the organs of both sexes, did so unite them, giving to this double symbol the name of _Pulleiar_, confounded by some writers with the Lingham itself. This pulleiar is highly venerated by the sectarian worshippers of Siva (the third god of the Trimourti), who hang it round their neck, as a charm or amulet, or enclosing it in a small box, fasten it upon their arm. The Indians have also a little jewel called _taly_, worn, in like manner, by females round their necks as a charm. It is presented to them on their wedding day by their husbands, who receive it from the hands of the Brahmins. Upon these jewels is engraved the representation, either of the Lingham or of the Pulleiar. The following anecdote connected with this custom is given by M. Sonnerat.[5]