The other now dropped his voice to a whisper. "'Mrs. Milo,' I says to
the old lady, 'give me the Church to decorate and I'll make it look like
something.' 'My good man,' she come back,--you know the way she
talks--'the wedding will be in the Close.'"
"A stylish name for not much of anything," observed Steve. "The Close!
Why not call it a yard and be done with it?"
"English," explained the florist. "--Well, I pointed out that _this_
room would be a good place for the ceremony. I could hang the
wedding-bell right in the bay-window. But at that, _click_ come the old
lady's teeth together. 'The wedding will be in the Close,' she says
again, and so I shut my mouth."
"Temper."
"Exactly. And why? What's the matter with the Church? and what's the
matter with this room?--that they have to go outdoors to marry up the
poor youngsters. What's worse, that Close hasn't got the best
reputation. For there stands that orphan basket, in plain sight----"
"It's _no_ place for a wedding!"
"Of course not!--a yard where of a night poor things come sneaking in----"
A door at the far end of the long room had opened softly. Now a voice,
gentle, well-modulated, and sorrowfully reproving, halted the protesting
of the florist, and paralyzed his upraised finger. "That will do," said
the voice.
What had frozen the gesture of his employer only accelerated the
movements of Steve. Recollecting that he was in his shirt-sleeves, he
snatched the pipe from his mouth, seized upon the smilax basket, and
sidled swiftly through the door leading to the Close.
"Goo--good-morning, Mrs. Milo," stammered the florist, putting his cigar
behind his back with one large motion that included a bow.
"Good-afternoon. I've just brought the festoons for the wedding-bower."
Once more he jerked his head in the direction of the bay-window, and
edged his way toward it a step or two, his fluttering eyelids belieing
the smile that divided his beard.
Mrs. Milo, her background the heavy oak door that led to the library,
made a charming figure as she looked down the room at him. She was a
slender, active woman, who carried her seventy years with grace. Her
hair was a silvery white, and so abundant that it often gave rise to
justified doubt; now it was dressed with elaborate care. Her eyes were a
bright--almost a metallic--blue. Despite her age, her face was silkily
smooth, and as fair as a girl's, having none of those sallow spots which
so frequently mar the complexions of the old. Her cheeks showed a faint
color. Her nose was perhaps too thin, but it was straight and finely
cut. Her mouth was small, pretty, and curved by an almost constant
smile. Her hands were slender, soft, and young. They were not given to
quick movements. Now they hung touching the blue-gray of her
morning-dress, which, with ruffles of lace at collar and wrists, had the
fresh smartness of a uniform.
"You are smoking?" she inquired. That habitual smile was on her lips,
but her eyes were cold.
Public-domain text, read in full here on John Shaqi.
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