"Just--just a dry smoke,"--with a note of injured innocence.
"Your cigar is in your mouth," she persisted, "and yet you're not
smoking."
At that, the florist took a forward step. "And my teeth are in my
mouth," he answered boldly, "but I'm not eating."
Another woman might have shrunk from the impudence of his retort, or
replied angrily. Mrs. Milo only advanced, with slow elegance, prepared
again to put him on the defensive. "Why do I find you in this room?" she
demanded.
"I'm just passing through--to the lawn."
"Do not pass through again."
"Well, I'd like to know about that," returned the florist,
argumentatively. "When I mentioned passing through the Church, why, the
Rector, he says to me----"
Mrs. Milo lifted a white hand to check him. "Never mind what Mr. Farvel
said," she admonished sharply; then, with quick gentleness, "You know
that he has lived here only little more than a year."
"Oh, I know."
"And I have lived here fifteen years."
"True," assented the florist. "But I was talking with Miss Susan about
passing through the Church, and Miss Susan----"
The blue eyes flashed. And once more Mrs. Milo advanced. "Never mind
what my daughter told you," she commanded, but without raising her voice.
"I am compelled to make this Rectory my home because Miss Milo does the
secretarial work of the parish. And what kind of a home should I have if
I allowed the place to be in continual disorder?"
There was a pause, the two facing each other. Then the look of the
florist fell. "I'll go in by way of the Church, madam," he announced.
And turned away with a stiff bow.
"One moment." The order was curt; but as he brought up, and turned about
once more, Mrs. Milo spoke almost confidentially. "As you very well
know," she reminded, her face slightly averted, "there is a third
entrance to the Close."
The florist saw his opportunity. "Oh, yes," he declared; "--the little
white door where the ladies come of a night to leave their orphans."
That brought Mrs. Milo about. And the color deepened in her cheeks. It
was the red, not only of anger, but of modesty. "The women who desert
their infants in that basket," she replied (again that sorrowful
intonation), "are not ladies."
The florist was highly pleased with results. "That may be so," he went
on, with renewed boldness; "but for my ladders, and my plants, the little
white door is too small, and so----" He stopped short. His jaw dropped.
His eyes widened, and fixed themselves in undisguised admiration upon a
young woman who had entered the room behind Mrs. Milo--a lankish, but
graceful young woman, radiant in a gown of shimmering satin, her fair
hair haloed by carefully carried lengths of misty tulle. "And so,"
resumed the florist, absent-mindedly, "and so--and so----"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account