Egypt -- History -- 332-30 B.C. -- Fiction; German fiction -- Translations into English
Stephanion, however, was of a different opinion, not only because Daphne
talked far more about the black-bearded cousin than the fair one, but
because she knew the girl, and was seldom mistaken in such matters. She
would not deny that Daphne was also fond of Myrtilus. Yet probably
neither of the artists, but Philotas, would lead home the bride, for he
was related to the royal family--a fine, handsome man; and, besides, her
father preferred him to the other suitors who hovered around her as flies
buzzed about honey. Of course, matters would be more favourable to
Philotas in any other household. Who else in Alexandria would consult
the daughter long, when he was choosing her future husband? But Archias
was a white raven among fathers, and would never force his only child to
do anything.
Marrying and loving, however, were two different affairs. If Eros had
the final decision, her choice might perhaps fall on one of the artists.
Here she was interrupted by the slave's indignant exclamation: "What
contradictions! 'Woman's hair is long, but her wit is short,' says the
proverb. 'Waiting is the merchant's wisdom,' I have heard your master
say more than once, and to obey the words of shrewd people is the best
plan for those who are not so wise. Meanwhile, I am of the opinion that
curiosity alone brought Daphne--who, after all, is only a woman--to this
place. She wants to see the statues of Demeter which her father ordered
from us."
"And the Arachne?" asked the maid. This was an opportune question to the
slave--how often he had heard the artists utter the word "Arachne!"--and
his pride of education had suffered from the consciousness that he knew
nothing about her except the name, which in Greek meant "the spider."
Some special story must surely be associated with this Arachne, for which
his master desired to use his young countrywoman, Ledscha, as a model,
and whose statues Archias intended to place in his house in Alexandria
and in the great weaving establishment at Tennis beside the statue of
Demeter.
Stephanion, a Greek woman who grew up in a Macedonian household, must
know something about her.
So he cautiously turned the conversation to the spinner Arachne, and when
Stephanion entered into it, admitted that he, too, was curious to learn
in what way the sculptors would represent her.
"Yes," replied the maid, "my mistress has more than once racked her
brains over that, and Archias too. Perhaps they will carve her as a girl
at work in the house of her father Idmon, the purple dyer of Colophon."
"Never," replied Bias in a tone of dissent. "Just imagine how the loom
would look wrought in gold and ivory!"
Public-domain text, read in full here on John Shaqi.
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