37. There is a beautiful ambiguity in the use of the preposition with the genitive in this last sentence. "Pushing on from these things" means indeed, justly, that the sculptors rose from a mean state to a noble one; but not as _leaving_ the mean state,--not as, from a hard life, attaining to a soft one,--but as being helped and strengthened by the rough life to do what was greatest. Again, "worshiped with the gods" does not mean that they are thought of as in any sense equal to, or like to, the gods, but as being on the side of the gods against what is base and ungodly; and that the kind of worth which is in them is therefore indeed worshipful, as having its source with the gods. Finally, observe that every one of the expressions used of the four sculptors is definitely the best that Lucian could have chosen. Phidias carved like one who had seen Zeus, and had only to _reveal_ him; Polyclitus, in labor of intellect, completed his sculpture by just law, and _wrought_ out Hera; Myron was of all most _praised_, because he did best what pleased the vulgar; and Praxiteles the most _wondered at_, or admired, because he bestowed utmost exquisiteness of beauty. 38. I am sorry not to go on with the dream: the more refined lady, as you may remember, is liberal or gentlemanly Education, and prevails at last; so that Lucian becomes an author instead of a sculptor, I think to his own regret, though to our present benefit. One more passage of his I must refer you to, as illustrative of the point before us; the description of the temple of the Syrian Hieropolis, where he explains the absence of the images of the sun and moon. "In the temple itself," he says, "on the left hand as one goes in, there is set first the throne of the sun; but no form of him is thereon, for of these two powers alone, the sun and the moon, they show no carved images. And I also learned why this is their law, for they say that it is permissible, indeed, to make of the other gods, graven images, since the forms of them are not visible to all men. But Helios and Selenaia are everywhere clear-bright, and all men behold them; what need is there therefore for sculptured work of these, who appear in the air?"