It is possible that you may remember Toppan as the man who married
Victoria Boyden, and, in so doing, thrust his greatness from him and
became a bank-clerk instead of an explorer. After he married, he
came to be quite ashamed of what he had done in Thibet and Africa
and other unknown corners of the earth, and, after a while, very
seldom spoke of that part of his life at all; or, when he did, it
was only to allude to it as a passing boyish fancy, altogether
foolish and silly, like calf-love and early attempts at poetry.
“I used to think I was going to set the world on fire at one time,”
he said once; “I suppose every young fellow has some such ideas. I
only made an ass of myself, and I’m glad I’m well out of it.
Victoria saved me from that.”
But this was long afterward. He died hard, and sometimes he would
have moments of strength in his weakness, just as before he had
given up his career during a moment of weakness in his strength.
During the first years after he had given up his career, he thought
he was content with the way things had come to be; but it was not
so, and now and then the old feeling, the love of the old life, the
old ambition, would be stirred into activity again by some sight, or
sound, or episode in the conventional life around him. A chance
paragraph in a newspaper, a sight of the Arizona deserts of sage and
cactus, a momentary panic on a ferry-boat, sometimes even fine music
or a great poem would wake the better part of him to the desire of
doing great things. At such times the longing grew big and troublous
within him to cut loose from it all, and get back to those places of
the earth where there were neither months nor years, and where the
days of the week had no names; where he could feel unknown winds
blowing against his face and unnamed mountains rising beneath his
feet; where he could see great sandy, stony stretches of desert with
hot, blue shadows, and plains of salt, and thickets of jungle-grass,
broken only by the lairs of beasts and the paths the steinbok make
when they go down to water.
The most trifling thing would recall all this to him just as a
couple of notes have recalled to you whole arias and overtures. But
with Toppan it was as though one had recalled the arias and the
overtures, and then was not allowed to sing them.
Public-domain text, read in full here on John Shaqi.
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