We went into the arena and sat down. The ring in the middle was
fenced in by a great, circular iron cage. The tiers of seats rose
around this, a band was playing in a box over the entrance, and the
whole interior was lighted by an electric globe slung over the
middle of the cage. Inside a brown bear--to me less suggestive of a
wild animal than of lap-robes and furriers’ signs--was dancing
sleepily and allowing himself to be prodded by a person whose
celluloid standing-collar showed white at the neck above the green
of his Tyrolese costume. The bear was mangy, and his steel muzzle
had chafed him, and Toppan said he was corrupted of moth and rust
alike, and the audience applauded but feebly when he and his keeper
withdrew.
After this we had a clown-elephant, dressed in a bib and tucker and
vast baggy breeches--like those of a particularly big French
_Turco_--who had lunch with his keeper, and rang the bell and drank
his wine and wiped his mouth with a handkerchief like a bed-quilt,
and pulled the chair from underneath his companion, seeming to be
amused at it all with a strange sort of suppressed elephantine
mirth.
And then, after they had both made their bow and gone out, in
bounded and tumbled the dogs, barking and grinning all over, jumping
up on their stools and benches, wriggling and pushing one another
about, giggling and excited like so many kindergarten children on a
show day. I am sure they enjoyed their performance as much as the
audience did, for they never had to be told what to do, and seemed
only too eager for their turn to come. The best of it all was that
they were quite unconscious of the audience, and appeared to do
their tricks for the sake of the tricks themselves, and not for the
applause which followed them. And, then, after the usual programme
of wicker cylinders, hoops, and balls was over, they all rushed off
amid a furious scrattling of paws and filliping of tails and heels.
While this was going on, we had been hearing from time to time a
great sound, half-whine, half-rumbling guttural cough, that came
from somewhere behind the exit from the cage. It was repeated at
rapidly decreasing intervals, and grew lower in pitch until it ended
in a short bass grunt. It sounded cruel and menacing, and when at
its full volume the wood of the benches under us thrilled and
vibrated.
There was a little pause in the programme while the arena was
cleared and new and much larger and heavier paraphernalia were set
about, and a gentleman with well-groomed hair and a very shiny hat
entered and announced “the world’s greatest lion-tamer.” Then he
went away and the tamer came in and stood expectantly by the side of
the entrance. There was another short wait and the band struck a
long minor chord.
Public-domain text, read in full here on John Shaqi.
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