Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906. — John Shaqi
Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.United States. Congress. House. Committee on Patents
History
Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
_Subject-matter of copyright._--A general statement that it is to
include "all the works of an author," leaving the term "author" to
be as broad as the Constitution intended. Certain specifications
follow, but coupled with the proviso that they shall not be held to
limit the subject-matter.
The specifications [sec. 5] substitute, so far as possible, general
terms for particulars. They omit, for instance, the terms
"engravings, cuts, lithographs, painting, chromo, statue, and
statuary." They assume, however, that these will be included under
the more general terms as "prints and pictorial illustrations," or
"reproductions of a work of art," or "works of art," or "models or
designs for works of art." The term "works of art" is deliberately
intended as a broader specification than "works of the fine arts"
in the present statute, with the idea that there is subject-matter
(e.g., of applied design, yet not within the province of design
patents) which may properly be entitled to protection under the
copyright law.
Express mention is made of oral lectures, sermons, and addresses;
periodicals, including newspapers; drawings and plastic works of a
scientific or technical character, and new matter contained in new
editions.
Labels and prints relating to articles of manufacture hereafter to
be registered in the copyright office instead of in the Patent
Office.
Additions, revisions, abridgments, dramatizations, translations,
etc., to be regarded as new works. [Sec. 6.]
_Who may obtain copyright._--As broad as heretofore. International
reciprocal arrangements confirmed. The privilege extended to any
foreign author who is living in the United States at the time of
the making and first publication of his work, or first or
contemporaneously publishes here.
_How to secure copyright._--The copyright is to be "secured" by
publication of the work with the notice affixed. This section, 9,
with section 14, is fundamental. Sections 10, 11, and 13 prescribe
subsequent procedure in the copyright office.
Registration is provided for works (e.g., works of art) of which
copies are not reproduced for sale, with the requirement that the
notice shall be affixed to the original "before publication
thereof." [Sec. 10.]
The deposit to be not later than thirty days after publication; in
the case of a periodical not later than ten days. The copies
deposited to be of the "best edition," as required by the act of
1870. [Sec. 11.] In case of error or omission to make the deposit
within the thirty days, permission to make it within a year after
first publication, but with the proviso that no action shall be
brought for infringement until it has been made. [Sec. 15.]
Public-domain text, read in full here on John Shaqi.
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