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_Ariel Dances_
_by
Ethel Cook
Eliot_
_Boston
Little, Brown,
and Company
1931_
_Copyright, 1931_,
BY ETHEL COOK ELIOT
_All rights reserved_
Published February, 1931
Reprinted February, 1931 (three times)
PRINTED IN THE UNITED STATES OF AMERICA
FOR
MY MOTHER
_Ariel Dances_
Chapter I
Ariel, quiet but alert, lay in her steamer chair, one of the most
inconspicuous of the several hundred passengers the _Bermuda_ was
bringing to New York. No one would be likely to look at her twice or
give her a second thought, as she crouched away from the March wind,
insufficiently protected from the cold by her nondescript tweed coat,
and carelessly, casually bare-headed. All about her on the deck were
people of outstanding, vivid types. The thing that had impressed Ariel
about these fellow passengers during the two days of the voyage was
their apparent self-sufficiency,—a gay, bright assurance of their own
significance, and the reasonableness, even the inevitableness, of their
being what and where they were. The very children appeared to take it
quite as a matter of course that they should come skimming over the
Atlantic in a mammoth boat-hotel while they played their games, read
their books and ate their meals,—just like that.
Ariel took nothing as a matter of course, and she never had from the
minute of earliest memory. Her proclivity to wonder and to delight was
as organic as her proclivity to breathe. But now it was neither delight
nor wonder but an aching suspense that quivered at the back of her mind.
She thought, “If Father were here! If it weren’t alone, this adventure!
New York Harbor at last! _I_—Ariel! But it isn’t real. There’s no
substance. It _was_ to have happened and been wonderful, but this is
paler than our imagining of it. The shadow of our imagining. Oh, it’s I
who have died and not Father. Where he is, whatever he is doing, it’s
still real with him. With Father it would be always real,—alive.”
Public-domain text, read in full here on John Shaqi.
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