In the dances here mentioned, the flute is the instrument employed, and this the player could not accompany with his voice. But in the Athenian schools, in the old time, the flute, and all music without words, were tabooed. There can be no doubt, therefore, that in these the orchestic performances were accompanied by the lyre, the player on which sang in words what the dancers danced. It is obvious that in such performances the musical (literary) and gymnastic branches of education came in for about equal shares. Dancing exercised the whole human being, body and soul, and exercised them in a completely harmonious way. It is this harmony, this rhythmic movement of the body in consonance with the emotions of the soul and the purposes of the intelligence, that is _grace_ (χάρις). Hence, while the Greeks relied upon gymnastics to impart strength and firmness to the body, they looked to dancing for courtliness and grace. Plato places the two on the same footing, as parts of a single discipline. The fact that the two divisions of education met in dancing seems to prove what I surmised above, viz. that they were conducted within the same precincts; in which case we may suppose that, while the dancing exercises took place in the palæstra, the music was supplied by the music master. We know that the chorus-leader was a public officer, appointed by the demos, and had to be over forty years old. In any case, it is curious enough to think that Athenian, and, generally, Greek, education culminated in dancing. But this was a perfectly logical result; for the chorus is the type of Greek social life, as we see most clearly in the _Republic_ of Plato. It hardly needs to be pointed out that the supreme form of Greek art, the drama, was but a development of the Bacchic or Dionysiac chorus. This development consisted in the separation of the music from the pantomime, and the assignment of the former to the chorus, which no longer danced, but walked, and of the latter to the actors, who added the dialogue to it. Greek life was divided into three parts--civil, military, religious. Music and letters were a preparation for the first, gymnastics for the second, and dancing for the third. Dancing formed a prominent part in Greek worship, and it may be doubted whether free Athenians ever danced except "before the gods "--ἐν ταῖς πρὸς τοὺς θεοὺς προσόδοις, as Xenophon says.