Armazindy: The Poems and Prose Sketches of James Whitcomb RileyRiley, James Whitcomb
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Armazindy: The Poems and Prose Sketches of James Whitcomb Riley
Riley, James Whitcomb
American poetry -- 19th century
_The Storm swoops down, and he blows—and blows,—_
_While I drum on his swollen cheek,_
_And croak in his angered eye that glows_
_With the lurid lightning’s streak;_
_While the rushes drown in the watery frown_
_That his bursting passions leak._
_And I can see through the sky—the sky—_
_As clear as a piece of glass;_
_And I can tell you the how and why_
_Of the things that come to pass—_
_And whether the dead are there instead,_
_Or under the graveyard grass._
_To your Sovereign lord all hail—all hail!—_
_To your Prince on his throne so grim!_
_Let the moon swing low, and the high stars trail_
_Their heads in the dust to him;_
_And the wide world sing: Long live the King,_
_And grace to his royal whim!_
“TWIGGS AND TUDENS”
If my old school-chum and room-mate John Skinner is alive to-day—and
no doubt he _is_ alive, and quite so, being, when last heard from, the
very alert and effective Train Dispatcher at Butler, Indiana,—he will
not have forgotten a certain night in early June (the 8th) of 1870,
in “Old Number ’Leven” of the Dunbar House, Greenfield, when he and I
sat the long night through, getting ready a famous issue of our old
school-paper, “The Criterion.” And he will remember, too, the queer
old man who occupied, but that one night, the room just opposite our
own, Number 13. For reasons wholly aside from any superstitious dread
connected with the numerals, 13 was not a desirable room; its locality
was alien to all accommodations, and its comforts, like its furnishings,
were extremely meagre. In fact, it was the room usually assigned to the
tramp-printer, who, in those days, was an institution; or again, it was
the local habitation of the oft-recurring transient customer who was too
incapacitated to select a room himself when he retired—or rather, when he
was personally retired by “the hostler,” as the gentlemanly night-clerk
of that era was habitually designated.
As both Skinner and myself—between fitful terms of school—had
respectively served as “printer’s devil” in the two rival newspaper
offices of the town, it was natural for us to find a ready interest
in anything pertaining to the newspaper business; and so it was,
perhaps, that we had been selected, by our own approval and that of our
fellow-students of The Graded Schools, to fill the rather exalted office
of editing “The Criterion.” Certain it is that the rather abrupt rise
from the lowly duties of the “roller” to the editorial management of a
paper of our own (even if issued in handwriting) we accepted as a natural
right; and, vested in our new power of office, we were largely “shaping
the whisper of the throne” about our way.
And upon this particular evening it was, as John and I had fairly squared
ourselves for the work of the night, that we heard the clatter and
shuffle of feet on the side-stairs, and, an instant later, the hostler
establishing some poor unfortunate in 13, just across the hall.
Public-domain text, read in full here on John Shaqi.
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