Armazindy: The Poems and Prose Sketches of James Whitcomb RileyRiley, James Whitcomb
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Armazindy: The Poems and Prose Sketches of James Whitcomb Riley
Riley, James Whitcomb
American poetry -- 19th century
“Listen!” said John, as we heard an old man’s voice through the open
transom of our door,—“listen at that!”
It was an utterance peculiarly refined, in language as well as
intonation. A low, mild, rather apologetic voice, gently assuring the
hostler that “everything was very snug and comfortable indeed—so far as
the _compartment_ was concerned—but would not the _attendant_ kindly
supply a better light, together with pen-and-ink—and just a sheet or two
of paper,—if he would be so very good as to find a pardon for so very
troublesome a guest.”
“Hain’t no writin’-paper,” said the hostler, briefly,—“and the big lamps
is all in use. These fellers here in ’Leven might let you have some paper
and—Hain’t _you_ got a lead-pencil?”
“Oh, no matter!” came the impatient yet kindly answer of the old
voice—“no matter at all, my good fellow!—Good night—good night!”
We waited till the sullen, clumpy footsteps down the hall and stair had
died away.
Then Skinner, with a handful of foolscap, opened our door; and, with
an indorsing smile from me, crossed the hall and tapped at 13—was
admitted—entered, and very quietly closed the door behind him, evidently
that I might not be disturbed.
I wrote on in silence for quite a time. It was, in fact, a full half-hour
before John had returned,—and with a face and eye absolutely blazing with
delight.
“An old printer,” whispered John, answering my look,—“and we’re in
luck:—He’s a _genius_, ’y God! and an Englishman, and knows Dickens
_personally_—used to write races with him, and’s got a manuscript of his
in his ‘portmanteau,’ as he calls an old oil-cloth knapsack with one lung
clean gone. Excuse this extra light.—Old man’s lamp’s like a sore eye,
and he’s going to touch up the Dickens sketch for _us_! _Hear?_—_For
us_—for ‘The Criterion.’ Says he can’t sleep—he’s in distress—has
a presentiment—some dear friend is dying—or dead now—and he must
write—_write_!”
This is, in briefest outline, the curious history of the subjoined
sketch, especially curious for the reason that the following morning’s
cablegram announced that the great novelist, Charles Dickens, had been
stricken suddenly and seriously the night previous. On the day of this
announcement—even as “The Criterion” was being read to perfunctorily
interested visitors of The Greenfield Graded Schools—came the further
announcement of Mr. Dickens’s death. The old printer’s manuscript, here
reproduced, is, as originally, captioned—
TWIGGS AND TUDENS
“Now who’d want a more cosier little home than me and Tude’s got here?”
asked Mr. Twiggs, as his twinkling eyes swept caressingly around the
cheery little room in which he, alone, stood one chill December evening
as the great St. Paul’s was drawling six.
Public-domain text, read in full here on John Shaqi.
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