Armenian literature; Armenian literature -- History and criticism
It happened one day that Farhat, the great Persian sculptor, passed at
the foot of the rock with his pickaxe on his shoulder. He was aroused
suddenly from the deep meditation in which he had been lost by the
sound of horns and trumpets. He stopped. Greyhounds and hawk-bearers
appeared, gay and thoughtless riders burst into sight like a storm,
then passed away from sight like a storm.
The dim, shadowy outline of a face remained in his heart; that vision
stole away his peace of mind. Every day at the same hour he was to be
seen on the road waiting,—waiting with the tenderest feelings of his
heart aroused. The beloved vision would appear, and after throwing a
careless glance at him would pass by like a flash of lightning.
He lost his peace of mind, abandoned his Art, and wandered like one
beside himself in the solitudes of the mountains.
Days passed, weeks passed, and months passed. One day he was sitting
there waiting. She appeared. But this time there were neither
greyhounds nor hawk-bearers with her. She was alone, with a number of
her maidens. She urged her horse on and came up to Farhat.
“Hail, great Master,” she said. “What has chained thee to these
mountains—to the solitudes of these desert places? I ever see thee
here.”
“The joy of sometimes seeing a transcendently beautiful vision light
up the solitudes of these desert places,” answered Farhat.
“Is thy love so great, then?” she asked, smiling.
“Who can help loving her that has not a peer amongst the immortals?
Who can help loving her whose breath gives life, whose one glance
confers eternal happiness? Do you think that the heart of him that is
ever occupied with the stone and the chisel becomes so hardened that
there is no room left in it for beauty?”
“I think not so. He that can give form and life to a shapeless stone,
he that creates beautiful beings out of cold marble, cannot but love
what is beautiful himself. But listen, Artist—to win the heart of the
daughter of the Arian King requires great sacrifices.”
“I know that great goddesses require great sacrifices.”
“I do not demand what is impossible—I only wish to try thy love.
Look, Farhat, dost thou see yonder rock?” and she pointed to the
sharp crag. “Thou must create palaces for me out of that rock, so
that I may look down from the summit with delight, and watch how the
Tigris threads the beautiful plains of Assyria with its silvery curves,
or how the tall palm-trees of Baghistan wave at the breathing of the
gentle zephyrs. And in the heart of the rock thou must make storehouses
for my treasures, and underneath there must be dwelling-places for my
horses. When all this is ready I shall be thine.”
She spoke, and rode away.
Public-domain text, read in full here on John Shaqi.
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