Armenian literature; Armenian literature -- History and criticism
Years passed away. The pickaxe and hammer of the Master worked
untiringly at the unyielding rock. The ceaseless sounds of the heavy
blows were to be heard day and night. The work was carried on
successfully. Love strengthened the genius of the great Master, and the
beauty of the Arian King’s daughter fired him with enthusiasm. He
made chambers, he made state-rooms, he made halls decorated with
pictures, and out of the solid rock he created a palace of marvellous
beauty. He made the walls of the apartments live with pictures carved
in relief. In one place he sculptured the battles that the old heroes
and giants of Iran had fought with devils and evil spirits; in another
the glory and greatness of the ancient kings of Iran, and festivals
celebrating their victories and deeds of prowess. He drew on the stone
the valiant acts of ancestral kings, their virtues, and the benefits
that they scattered over the land of the Arians. He worked all these
wonders for the one being to whom he had devoted all the passion of his
love. He worked them all so that she might be continually reminded of
the glorious past of Iran, that her heart might continually be rejoiced
with the noble pride that she was the descendant of a great dynasty
born of the gods, which had always done god-like deeds.
She came and saw it all.
“It is very beautiful,” she said, “but there is no water
here—there are no trees. Make fountains for me that shall throw the
water up higher than the clouds. Plant trees for me under whose shadow
I may rest;—rest in thine arms!”
She spoke, and rode away.
He turned the courses of far distant streams and brought the water by
underground channels to the very summit of the rock. He shaped the
stone, dug out basins, and created silvery fountains. Day and night the
never-ending supply of water rose out of the fountains, and dewed the
surrounding plants with pearl-like drops. He levelled the surface of
the rock, and covered it with earth brought from distant places. He
planted trees and made lofty hanging gardens that looked as if they
were growing in the air. Years passed. The trees grew and gave fruit,
the flowers blossomed and filled the scented gardens with their
gladdening perfumes. The birds came and filled the place with their
happy songs. But she who was to have been the queen and pride of that
beautiful paradise did not appear.
One day the Master sat at the foot of the palace he had made, leaning
his chin on his hand and looking sorrowfully down the road. A peasant
came up singing, and sat down beside him to rest a little.
“Whence comest thou?” asked the Master. “Thou art fortunate in
being so happy.”
“From Tisbon,” said the peasant. “And why should I not be happy
when all the world is rejoicing?”
“What has happened?”
Public-domain text, read in full here on John Shaqi.
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