Arminell: A Social Romance, Vol. 3Baring-Gould, S. (Sabine)
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Arminell: A Social Romance, Vol. 3
Baring-Gould, S. (Sabine)
English fiction -- 19th century
In a moment the latent savage, suppressed in those orderly men, was
awake and asserting itself. Mr. Welsh had spoken the truth when he told
Jingles that the destructive passion was to be found in all; it was
aroused now. The blacksmith, the tailor, the shoemaker, the labourers,
had in all their several ways been working constructively all their
life, one to make shoes and harrows, one to shape trousers and
waistcoats, one to put together boots, others to build, and plant, and
stack, and roof, and now, all at once, an appeal came to the suppressed
barbarian in each, the chained madman in the asylum, and the destructive
faculty was loose and rioting in its freedom.
Thomasine Kite stood before the young man. “Now then,” she said half
mockingly, “if you want to save your mother out of the house before the
roof is broke in, you must make haste. Come along with me.”
CHAPTER XXXIX.
THE FLOW OF THE TIDE.
Captain Saltren returned at night to sleep at Chillacot, but he wandered
during the day in the woods, with his Bible in his pocket or in his
hand, now reading how Gideon was raised up to deliver Israel from
Midian, and Samson was set apart from his mother’s womb to smite the
Philistines, then sitting at the edge of the quarry brooding over his
thoughts.
He was not able to fix his mind for long on anything, and he found that
the Scripture only interested and arrested his attention so far as it
touched on analogous trains of ideas. For the first time in his life a
chilling sense of doubt, a cold suspicion of error stole over his heart.
When this was the case he was for a moment in agony, his nerves tingled,
his throat contracted, and a clammy sweat broke out over his face. The
fit passed, and he was again confident, and in his confidence strong. He
raised his voice and intoned a hymn, then became frightened at the
sound, and stopped in the midst of a stanza.
Public-domain text, read in full here on John Shaqi.
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