There are some people who suppose that every one else has the peculiarities of Leo X., and who never approach their fellows, even when they have to speak on matters of serious import, without putting on cap and bells. They labour under the conviction that “the motley,” as Jaques said to the Duke, “is the only wear,” especially when most inappropriate to the matter of discourse. Mr. Welsh was desirous of doing what was kind, of conveying to Arminell what he knew was to her painful information, describing to her scenes which must stir her emotions, but he could not assume a sympathetic and serious tone. He was possessed by that perverse spirit which forces a man to garnish his story, however tragic, with quirks and scraps of illustration incongruous and out of taste. He was at heart full of pity for Arminell; he had not gone to Orleigh on journalistic ends, though not averse to paying his travelling expenses by turning what he had seen into type, but he had gone for the girl’s sake, and only learned the death of his brother-in-law on reaching Orleigh. He knew that she hungered for information which she could not receive through the channels formerly open to her. As he spoke to her, his heart swelled, and he had some difficulty in controlling his emotion. Nevertheless, he assumed a tone of half banter, that galled his own sense of propriety as much as it jarred on Arminell. And this masquerade was assumed by him as much to disguise his real self from himself as from the girl. Verily, in our horror of hypocrisy, we are arrant hypocrites. Essayists and satirists have united to wage a crusade against cant, and have succeeded so completely that we dread the semblance of piety, kindliness, sweetness, lest they be taken as an assumption only. In the reaction against false appearances of goodness we have run into the opposite extreme, and put on a false appearance of roughness, hardness, and cynicism. Lest we should be taken to be apricots, with sweet outside and hard interior, we affect to be walnuts, rugged and bitter. A woman poses to herself in the glass, and adorns herself with jewelry to give pleasure first to herself and then to others; but men cock their hats, smut their noses, make grimaces in the glass, and having sneered at their own buffoon appearance, pass off the same pranks on their acquaintance. They will neither allow to themselves nor to others that they acknowledge a serious interest in the drama of life, that they have respect for what is noble, pity for what is suffering, reverence for what is holy. They affect to cast burlesque into all relations of life, as salt is put into all dishes, to make them palatable. Arminell was not deceived by the manner of James Welsh; under the affectation of selfishness and callousness she recognised the presence of generous sympathy, just as she had seen the same quality under the chatter and pretence of the wife.