Armor and Arms: An elementary handbook and guide to the collection in the City Art Museum of St. Louis, Missouri, U.S.A.Hoopes, Thomas T.
History
Armor and Arms: An elementary handbook and guide to the collection in the City Art Museum of St. Louis, Missouri, U.S.A.
Hoopes, Thomas T.
Armor -- Catalogs; Weapons -- Catalogs
After the Roman empire was overwhelmed by the barbarian hordes from the
North the making of fine arms languished. It did not cease; occasionally
discoveries are made of beautifully inlaid sword pommels and shield
bosses belonging to the so-called “dark ages”. Sword blades too turn up
occasionally, skillfully constructed of many layers of alternately hard
steel and soft iron, so that they may retain a keen cutting edge yet
still be tough rather than brittle.
[Illustration: _Fig. 5. Embossed bronze disk, probably the central
reinforcement of a leather shield, from Picenum, East-Central Italy,
second half VII century B. C._]
[Illustration: _Fig. 6. An Etruscan warrior in battle dress. Note
the rivets on the helmet crest._]
(Steel, you will remember, is not a separate metal; it is just iron
which contains from about .5% to about 2.5%, of carbon. This gives it
the peculiar property that if it is heated to redness and quickly
cooled, it becomes much harder than before. It also becomes more
brittle. If hardened steel be heated a second time, not red hot but to a
much lower temperature, and again chilled, the hardness is reduced
somewhat, while the brittleness is reduced a great deal; the metal
becomes tough and suitable for making into tools. This second heating
and chilling is called “tempering”. Contrary to popular belief, “to
temper” steel does not mean “to make it harder”. It means “to make fully
hardened steel somewhat softer and much tougher”. If the iron has too
much or too little carbon it cannot be hardened at all; if there is too
little it is very soft and malleable and is called “wrought iron”. If
there is too much carbon it is harder than mild steel, but is very
brittle indeed; this is called “cast iron”.)
CHAIN MAIL
Except for the rare finds just mentioned, we know little about the armor
and arms of the period from the fall of Rome to about the twelfth
century. The paintings, drawings, and statues which have survived
suggest, but give no clear information. We have reason to believe that
armor was made of small plates of iron attached to cloth or leather
garments, or of chain mail, a fabric made of interlinked rings of iron
wire. Towards the end of this period we know that chain mail was
extensively employed, for it often appears, especially in England, on
the engraved brass plates attached to the tombs of important people of
the time (Fig. 7). The Museum has a small collection of paper
impressions of these “brasses” which are well worthy of study by anyone
interested in early armor. Some are exhibited on the walls of the armor
gallery.
Public-domain text, read in full here on John Shaqi.
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