A group was standing before a futurist or cubist picture. The group did not know what the picture was all about, but one spoke up in defense of the bewildering work: “Well, after all, art is a language, and why shouldn’t a man be permitted to speak his own language?” A bystander, not daring to address strangers, made answer under his breath: “If art is a language, this artist is talking to himself.” Maudlin, incoherent remarks, disjointed utterances, and in general talking to one’s self, all that, does not pass for high art among men, but for something quite different. To talk to one’s self is the extreme of individualism in conversation; to ignore the world addressed through artistic composition is the triumph of individualism in art. The abrupt break with all tradition in every art, and the untrammeled expression of the individual, have worked out to the inevitable and bizarre conclusions which a like rebellion has brought about in religion and morals. Every man his own dogmatist; every man his own moralist; that is the individualism which has divided mankind into multitudinous sects and has made millions of moral, unmoral and immoral moralists eager for legislation of infinite variety without any fixed principles to enforce the observance of even one law. Conscience, the executive impulse of all legislation, used to be the voice of God, but individualism has made it anything from a survival of the fittest or an economic standard, through countless varieties all the way to a Freudian complex. Individualism has run amuck in art from classicism to cubism. It is a barren day which does not produce a new system of religion or morals, and only the occurrence of earthquake, war, fire or some other tremendous upheaval keeps our journals from recording some new theory of art, some Tomism, Dickism or Harryism. Art for art’s sake has been given an individualistic interpretation and has produced the same rich crop, as the individualistic cry, every man his own dogmatist and moralist, has produced—a rich crop of weeds. If ever an individual could pursue his blissful way oblivious of the existence of a surrounding universe, surely he may not do so now when the universe impinges upon him every moment through ticker, telephone, wireless and unlimited “extras.” There is, however, no such thing as unrestricted individualism. Of God alone can be predicated existence for its own sake. Everybody his own dogmatist means ultimately everybody his own god. Art for art’s sake, interpreted in an individualistic sense, would not only destroy art but would destroy the world. Art for art’s sake should read art for everybody’s sake and for the sake of God, and such a reading will be infinitely better for art’s sake.