Arthurian romances; Romances -- Translations into English
Some twenty years earlier, in 1155, Wace had completed the _Roman de
Brut_. He himself called it the _Geste des Bretons_ ("History of the
Britons"), but it is best known under the title that appears in the
manuscripts, the _Roman de Brut_, given to it by scribes because of its
connection with Brutus, the founder of the British race. The Brut is a
reproduction in verse of Geoffrey's _Historia_. To call it a translation
is almost to give it a misnomer, for although Wace follows exactly
the order and substance of the _Historia_, he was more than a mere
translator, and was too much of a poet not to impress his own
individuality upon his work. He makes some few additions to
Geoffrey's Arthurian history, but his real contribution to the legend
is the new spirit that he put into it. In the first place his vehicle
is the swift-moving French octo-syllabic couplet, which alone gives
an entirely different tone to the narrative from that of Geoffrey's
high-sounding Latin prose. Wace, moreover, was Norman born and Norman
bred, and he inherited the possessions of his race--a love of fact,
the power of clear thought, the appreciation of simplicity, the
command of elegance in form. Such a spirit indeed was his as in a
finer type had already expressed itself in Caen in the two noble
abbeys, under whose shadow he passed the greater part of his life,
the dignified and sternly simple Abbaye-aux-Hommes of William the
Conqueror and the graceful, richly ornamented Abbaye-aux-Dames of
Queen Matilda. Sincerity and truth Wace ever aims at, but he
embellishes his narrative with countless imaginative details. As a
narrator he has the tendency to garrulity, which few mediaeval poets
altogether escaped, but he is by no means without conversational
charm, and in brief sentences abounding in colloquial turns, he leads
us easily on with seldom flagging interest even through those pages
where he is most inclined to be prolix. He is a systematic person with
accurate mental habits, and is keenly alive to the limitations of his
own knowledge. He doubtless often had to bid his common sense console
him with the reflections with which he begins his _Life of St.
Nicholas_:--"Nobody can know everything, or hear everything, or see
everything ... God distributes different gifts to different people.
Each man should show his worth in that which God has given him."
Public-domain text, read in full here on John Shaqi.
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