Arthurian romances; Romances -- Translations into English
in "virtues most good." Layamon, too, gives a truly Celtic version
of Arthur's disappearance from earth. Two fairy maidens bear the wounded
king in a boat from the battle-field over the sea to Argante, the queen
of Avalon, who will make him whole again. "And the Britons ever expect
when Arthur shall return." This story, and also Layamon's very important
account of the establishment of the Round Table, which is vastly more
complete than Wace's, bear unmistakable marks of a Celtic origin. Layamon,
in fact, living as he did near the Welsh border, naturally shows
familiarity with current Welsh tradition. His work has a high value in
the vexed question of the origin and growth of Arthurian romance; for
it proves the existence of genuine Welsh tradition about Arthur, and
makes untenable the position of those critics who maintain that the
Arthurian legend had an independent development only on the continent.
Layamon's contributions to our knowledge of the Arthurian material
are, however, comparatively small, since he augmented his original in
the main by passages inspired by his own imagination.[19] His additions
may be called poetic rather than legendary. Partly because of its
Saxon character his _Brut_ never attained wide popularity, and it had
little effect upon the cycle; but it remains one of the most truly
great literary achievements in the field of both Arthurian chronicle
and romance.
Our three most important Arthurian chroniclers, Geoffrey, Wace, and
Layamon, were all men of marked individuality and ability; each lives
for us with as distinct a personality as if we had far more than our
very imperfect knowledge of the details of his life. Geoffrey, a
clever combiner, a highly gifted narrator and scholar, born at a happy
hour, gave the Arthurian legend a definite literary form, brought
permanently together independent elements of tradition, and
contributed enormously to the popularity of the cycle. Wace, the
professional author, the scrupulous antiquarian and naïve poet,
carefully refined the material of Geoffrey, and dressed it in the
French costume of courtly life. Layamon, the intense and imaginative
English priest, transformed it by the Saxon spirit, and divesting it
of its courtly elegance, filled it with greater simplicity and force.
EXCURSUS I.--ARTHUR'S MAGIC POSSESSIONS
Public-domain text, read in full here on John Shaqi.
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