Artist and Model (The Divorced Princess) — John Shaqi
Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
Still, notwithstanding the active, frivolous, and trying life she was
leading, the heart of the Princess Olsdorf was calm. Amid the crowd of
adorers her high position and beauty had won for her, she remained an
irreproachable wife, but a radical change had occurred in both her mind
and disposition. Her comparative indifference for frivolous things was
replaced by a sort of unhealthy curiosity. She now lent a ready ear to
risky stories which formerly had been very distasteful to her. Her
imagination, suddenly aroused, seemed to question the unknown, and be in
search of emotions of which she was ignorant. In theatrical performances
she preferred a love story to a comedy of modern life and manners. After
having for long read nothing in French but the historical romances of
the elder Alexander Dumas, she began to devour highly spiced novels,
which she obtained from France by stealth; for in Russia then, as now,
the government forbade the introduction into the country of many of the
best-known and least moral novels of the day.
In the earliest days of her marriage, as we have said, the princess
would accompany her husband in his excursions, but only to please him.
Now she was grown into a daring sportswoman, eager in the pursuit of the
quarry, greedy of danger, and finding a sharp pleasure in encountering
it. In these mad gallops, mounted on one of the small, fiery, and swift
horses that are used in the country for hunting purposes, she was
wonderfully handsome, her eyes glistening, her bosom heaving, her lips
quivering. She seemed to try, by wearying her body, to keep her soul in
repose.
These were the only moments in their married life in which there was a
full community of ideas and sensations between Pierre Olsdorf and his
wife; for when once the prince was on horseback and in pursuit of the
game, he was no longer the cold and self-contained man he ordinarily
was. He was like a soldier on the field of battle. For the time being he
was on fire. The most spirited horses were controlled by his strong
hand; no horn sounded so clear and loud as his. He was superbly cool and
brave when he had a bear at bay. He seemed to be possessed with a love
of courage when he attacked a wolf in its lair, and watched the beast
being tossed piece by piece to the hounds.
The day over, all this manly energy vanished. Sitting down to table in
the evening at the château, when the guests saw Pierre in his black
coat, his face calm, his eyelids drooping, it was hard to believe that
this was the man whose impetuous daring would sometimes frighten his
companions in the chase.
The strange glances which Lise cast furtively on her husband then might
have been observed. Her face expressed surprise and contempt, and when
the prince paid her a compliment, she would reply dryly or
sarcastically, though she tried not to betray the state of her mind.
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