Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
Fearful that he had offended her, he raised his head quickly to ask the
question by a look; but the princess had turned from him and was moving
toward the rooms where the guests spent their evenings according to
their varying fancies. Some liked music, others would rather talk.
There was dancing, too; but most of the visitors were to be seen
gathered round the play-tables. Though the prince was the declared enemy
of gambling as an amusement, he would not deny his guests the pleasure.
Throughout the evening, try as he might, Paul could not get near Lise;
his eyes did not meet hers once. She retired early, and had slipped away
before he had guessed that she was going.
The next day he hardly saw her, for she did not come down to dinner, the
prince making her excuses to their friends on the plea of slight
indisposition. After this day, however, Lise, as if she had schooled
herself to calmness, again appeared gracious and smiling, with that care
for the comfort of her guests that she always showed in fulfilling her
duties as mistress of the household.
Still, calm and indifferent as she made herself appear before the
artist, she doubtless distrusted her strength too much to risk a
_tête-à-tête_, for Paul never found himself quite alone with her. When
he greeted her at meeting, she had always to respond at that moment to
some other greeting as well. She returned his bow hurriedly, with
downcast eyes and an absent look; and if she met him by chance in
passing through the fencing-room, in one of the vestibules, or at any
other part of the house for the moment deserted, she quickened her step,
though not too markedly, as he accompanied her, and, beginning to speak
on different topics, she would continue to do so without giving him the
chance to speak, until they had encountered some one else.
Paul Meyrin understood the tactics adopted by the mistress of Pampeln.
He was vain enough to infer that she feared him, and in consequence grew
more charmed with her, and the more decided to declare his love.
Things had gone on thus for a week, and the Roumanian had not yet found
the chance he watched for, the more eagerly in proportion as he saw that
the princess often seemed nervous, preoccupied, and fanciful, when one
evening the prince announced to his guests an interesting hunting-party
for the following day.
A few minutes later Lise retired, bending on Paul a look which he caught
but hesitated to give a meaning. Was it on her part a sort of haughty
defiance? Or was it, on the contrary, a kind of encouragement? Did she
mean, "You dare go no further, and you are prudent," or "Why dare not
you? I am waiting!"
Whichever it was, the painter slept little that night, and rose at
daylight. He supposed he must be one of the first of the guests stirring
in the house, but when he reached the court-yard he found the princess
there before him, on horseback, though it was only just seven o'clock.
Public-domain text, read in full here on John Shaqi.
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