Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
Pierre Olsdorf and his usual companions were to start for the banks of
the Wandau, there to hunt the stag; and Lise had determined to accompany
her husband's friends as far as the Elva farm, three leagues distant
from the château, and cultivated by one Soublaieff, an old retainer of
the prince, whom he had brought from his estates in the Crimea and for
whom he had a great affection.
At this early hour, under the oblique rays of the sun, the great
court-yard of Pampeln was a charming sight for a painter. There was a
noise, a movement, and a kaleidoscope of colors not easy to describe.
Excited by the barking of the hounds, which the footmen held coupled in
leashes, by the blasts on the horns of the huntsmen giving the signal
for the start, and by the different orders that were being shouted one
over the other, the horses, with erect ears and waving manes, pawed the
ground impatiently under their riders, who all wore the correct hunting
costume, which the prince had been one of the first to make fashionable
in Russia--wide breeches, high boots, and a double-breasted tunic,
caught in at the waist with a leathern belt, in which a Circassian
dagger was stuck.
In front of the flight of steps leading up to the house were the
carriages for General Podoi's wife and her friends. The horses were
superb creatures which the drivers could scarcely control.
The artist saw none of these things, however. His eyes were fixed on the
princess, and could not quit her. In her riding-habit, a masterpiece of
some great Parisian costumer, which showed the symmetry of her form and
the rich swell of her bust, Lise Olsdorf was wonderfully beautiful.
Under the coquettish hat, made in the Louis XV. style, her clearly cut
face had a brave and almost saucy look. Her little gloved hand held
firmly and gracefully the reins of the splendid thorough-bred she was
riding. Paul, in admiration, stopped short at a few paces' distance,
forgetting even to salute her.
Not until the princess spoke did he recover himself.
"Are you not going to join us?" she asked in an amused tone. "What are
you thinking?"
"Pardon me, madame, pardon me," said the painter, doffing his hat. "I
was admiring."
He had not dared to say, "I was admiring you," but Lise Olsdorf
understood.
"That is not a reply," she said, smiling. "See, yonder are two horses
ready saddled. But perhaps you are not a rider, and I warn you that our
animals are pretty spirited."
"I should not be one of my race or my country, madame, if I were not a
horseman."
At a sign from him the groom holding the two horses brought them up and
gave him one. Not using the stirrup, he leaped into the saddle.
"Bravo!" exclaimed the prince, coming up at that moment to ask his wife
if he should give the order for a start. "Are you going with us?"
"Only as a companion on the road, prince," Paul replied, taking a
whip--the _najayka_, as it is called--that one of the footmen handed to
him.
Public-domain text, read in full here on John Shaqi.
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