Artist and Model (The Divorced Princess)Pont-Jest, René de
General
Artist and Model (The Divorced Princess)
Pont-Jest, René de
Man-woman relationships -- Fiction
Like most women of Southern Russia, Vera was a decided brunette. From
the purity of her features, the perfect oval of her face, and the
smallness of her head, she might have been taken to be of Grecian
origin. Her large eyes, shaded by long, up-curled lashes, were
unspeakably gentle: a virginal smile was constantly playing about her
scarlet and slightly parted lips, revealing the pearly teeth. From the
national head-gear that she wore two long braids of hair hung, reaching
to below the waist, which was defined by her linen dress of various
bright colors. Reared at the château until she was fifteen years old,
Vera spoke French with a pure accent, had some knowledge of music, and,
through her natural elegance of movement of bearing, was a charming
child.
Her father, who loved her fondly, could not make up his mind to part
with her to the princess, who had several times asked him to do so,
wishing that Vera should be a sort of elder sister to her little son.
Paul Meyrin was too much of an artist not to pay homage to Vera's
beauty. The princess had kissed her tenderly. Thinking that it could not
but please Lise Olsdorf, he said, approaching her:
"What a lovely young girl that is. I supposed that only women of your
station in life could be so perfectly beautiful."
"You see that you were mistaken, monsieur," the princess replied, rather
ungraciously. "Vera is, in fact, very pretty. She is just as good and as
modest, and I love her very much."
Then, moving toward the group of hunters, who had not dismounted, she
left the painter standing there, and asking himself uneasily if he had
not a second time displeased the woman whom he was growing more
infatuated about hour by hour.
A few minutes later the blasts on the horns were again heard, the
hunters went off on their way toward the Wandau, and the princess,
having remounted with the aid of one of the servants, gave the signal
for a start to be made. She wished to be back at the château by
breakfast-time.
Paul was the only male guest of the prince who had not joined the hunt,
and he reckoned on the fact to afford the chance of an explanation
between himself and Lise; but in the course of the hour that was spent
on the return journey to Pampeln he could not get a moment alone with
the princess. She never was away from the side of the carriages in which
her mother and friends were.
Vexed and desperate, wondering whether it was that Lise Olsdorf dreaded
him or that she was merely a coquette and laughing at him, Paul Meyrin
determined to force her hand. Fortune was about to give him a chance of
doing so sooner than he had dared to hope--that very day indeed.
In the evening, about six o'clock, when the few guests remaining at the
château were going to their rooms to dress for dinner, the artist saw
the princess crossing the lawn and going toward one of the alleys of the
park.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account